Women’s Day Special: Inspired by Surya Sen, the 21-year-old led the raid on the Pahartali European Club in Chittagong.
In a re-reading of historical accounts on Waddedar’s life and contributions, it is easy to forget how young she was when she threw herself fully into the cause of liberation of her motherland. (Photos: Wikimedia Commons; Designed by Gargi Singh)
Born in Chittagong, now in Bangladesh, Waddedar was a promising student, having spent her school years in her hometown. While a student at Eden College in Dhaka, Wadderdar’s anti-British sentiments began to take a more form as she slowly developed connections with other women who were spearheading semi-revolutionary groups. One such was with Leela Nag, a student at Dhaka University and an associate of Subhash Chandra Bose, who established the Deepali Sangha, a revolutionary group that provided combat training to women.
Waddedar came to Calcutta for higher education and enrolled as a student of Philosophy at Bethune College under the University of Calcutta. In the city, Waddedar was introduced to revolutionary leader Surya Sen, affectionately called ‘Master da’ by associates. Inspired by Sen, Waddedar soon joined his underground group. According to various accounts from the 1930s, members of Sen’s group initially objected to her membership, but appear to have eventually relented when they discovered her devotion to the cause for the motherland’s freedom, as well as her abilities to carry out assignments undetected by the police.
During the Chittagong Armory Raid of April 1930, 20-year-old Waddedar, along with Surya Sen, Ganesh Ghosh, Lokenath Bal, Ambika Chakrabarty, Anand Prasad Gupta, Tripura Sen, Bidhubhusan Bhattacharya, Kalpana Dutta, Himangshu Sen, Binod Bihari Chowdhury, Subodh Roy, Monoranjan Bhattacharya among a others in a group of at least 65 people, devised plans to raid the armoury of the British forces and destroy telegraph and telephone lines. Although the group did not manage to locate the armory, they succeeded in ruining the telegraph and telephone lines. Many members in the group were very young at that time, Subodh Roy being the youngest at just 14.
The tall statue depicts Waddedar, clad in a khadi sari, beset with sharp folds, with one arm outstretched and another balled up in a fist, perhaps signalling her determination for the cause of freedom. (Express photo by Shashi Ghosh)
While some members of the group were captured and arrested, Waddedar and a few others managed to escape and regroup over the next few months. In 1932, the group, following Surya Sen’s original plans to attack the Pahartali European Club in Chittagong, assigned Waddedar as the leader for this assignment. The social club for Europeans had been specifically targeted because of its racist and discriminatory practises towards Indians, especially its use of the signboard that read “Dogs and Indians not allowed”.
Under Waddedar’s leadership, a group of 10 was trained in the use of arms and taught how to consume potassium cyanide if the need arose. They attacked the club on the night of September 23, 1932. Several members of the club were injured, while the group was shot at by the police guarding the club. Waddedar sustained a bullet wound that prevented her from escaping with her group. In those circumstances, she consumed potassium cyanide to evade arrest and ended her life. Waddedar was only 21.
Like her contemporary, Bina Das, Waddedar too had been denied her graduation degree by the British authorities of Bethune College under Calcutta University. In March 2012, almost eight decades after her death, the University of Calcutta posthumously awarded Waddedar her pending Bachelor of Arts degree with Distinction for the year 1932. On her graduation certificate, Waddedar’s name is mentioned with a misspelling, ‘Pritilata Waddar’, perhaps an indication of how her name was recorded in university records.
In March 2012, Calcutta University posthumously awarded Pritilata Waddedar her pending Bachelor of Arts degree with distinction for the year 1932, that the British administrative authorities had withheld from her. (Express Photo by Neha Banka)
Dr Soumitra Sarkar, Librarian of Calcutta University, who oversees university archives told indianexpress.com that he did not have much information concerning why this may have occurred. A copy of Waddedar’s graduation certificate and marksheets were provided to the Birkanya Pritilata Trust in May 2018, based in Waddedar’s native village, Dhalghat, Patiya, Chittagong, established in her memory.
Calcutta University provided indianexpress.com a copy of Pritilata Waddedar’s marksheets for the year 1932, a detailed document that indicates that Waddedar was a student at Bethune College, reproduced by university authorities in 2018 for archival purposes. (Express Photo by Neha Banka)
The large expanse of the Maidan area in the heart of Kolkata, is dotted with statues of individuals associated with the freedom struggle. Between 1947 and 1983, the West Bengal government replaced statues of British officials and East India Company employees with those of revolutionaries, men and women who had devoted their lives to the freedom of the nation.
One such statue is that of Pritilata Waddedar, the only commemorative structure dedicated to her in the country. The monument does not have an address; to find it, one would have to walk down the long stretch of Indira Gandhi Sarani in the Maidan. The tall statue depicts Waddedar, clad in a khadi sari, beset with sharp folds, with one arm outstretched and another balled up in a fist, perhaps signalling her determination for the cause of freedom.
In a re-reading of historical accounts on Waddedar’s life and contributions, it is easy to forget how young she was when she threw herself fully into the cause of liberation of her motherland.
source: http://www.indianexpress.com / Indian Express / Home> Lifestyle> Arts & Culture / by Neha Banka / Kolkata – March 08th, 2020
The Second World War, the Korean War, the Indo-Pakistan wars… Major General Premangsu Chowdry has seen them all. A salute to the Indian Army veteran, forever young at 100
Major General Premangsu Chowdry of the Indian Army is an extraordinary man, with a military and corporate career par excellence. He took active part in the Second World War operations in North Africa, Middle East and Italy; did post-war General Staff assignments in Japan with the British Commonwealth Occupational Forces (BCOF) and in the Headquarter of Supreme Commander Allied Forces (SCAP) commanded by General Douglas McArthur; with the British Commonwealth Division during the Korean War 1950-53; and fought in all the three India-Pakistan wars of 1948, 1965, 1971.
I am fortunate to have had the opportunity to spend quality time with the 99 years young ‘fighting fit’ General and relate to his extensive war experience. He with his contemporaries shaped the Indian Army since Indian Independence in 1947, notably, General (later Field Marshal) KM Cariappa, OBE, the first Commander-in Chief of Independent India; General KS Thimayya, DSO, Chief of Army Staff (1957-1961); and General (later Field Marshal) Sam Bahadur Manekshaw, MC, Chief of Army Staff (1969-1973), legend of the India-Pakistan war in 1971.
The General is to be applauded for his amazing and sharp memory to recall dates/years, names and places from his military career since 1941. The General celebrated being 100 years young on 1 May.
General Chowdry hails from Barisal town on the banks of Kirtan Kola river, then in East Bengal, now in Bangladesh. The family was well known as the ‘Chowdrys from Loha Ghar’ in Comilla District having zamindar credentials in that era. The General’s grandfather was the Superintendent of Prisons in Dacca, Bengal, the first Indian to have held that post in the 19th century. His father was the treasurer to the District Commissioner of Barisal in the early 1900s.
After completing his schooling at Barisal, where he received the gold medal for standing first in his matriculation exam, young Prem did his Bachelors and Masters at St Xaviers College, Calcutta University. Prem studied Arts with English Honours and was placed in the order of merit in the Bachelors programme.
A soldier is born
While he had plans of joining the Indian Civil Services (ICS), recruitment to the ICS had ceased due to the emerging World War in 1939. Prem instead opted for and joined the 1st batch of the Bangalore Cadet College, structured as a British Public School and which became the Officer Training Academy (OTA) for commissioning into the British Indian Army.
On 21 December 1941, Prem was commissioned as a 2nd Lieutenant into the ‘Royal Garhwal Rifles’ and joined at the Garhwal Regimental Centre at Lansdowne, which is present Uttarakhand. He was one of the first commissioned Indian officer into the ‘Royal’ Regiment.
After the initial training at the Regimental Centre, in 1942 Prem was posted to the 3rd Battalion Garhwal Rifles and served with them in the Western Sahara desert, Egypt, Cyprus, Iraq, Syria, Palestine and finally in the Italian campaign. In North Africa, the battalion was part of the 5th Indian Division and took part in the ‘Battle of Tobruk’. The fierce battle cost the battalion dearly, and they lost 12 officers and over 500 soldiers. The battalion was withdrawn and moved to Cyprus to rest, recuperate and await reinforcements from the Garhwal Regimental Centre.
Prem was sent for a Weapons Course at the Military School at the Allies military base in Gaza, where he excelled and then was ordered to be transferred to the Gaza Military School as an Instructor, a rare accomplishment because he was one of the first officers of Indian origin to be posted as an Instructor to the School. However the posting order was withdrawn at Prem’s request since he wished to remain with his troops involved in operations. After six months ‘Rest, Relief and Reinforcement’ in Cyprus, which included ‘Raid Operations’ in the Greek Islands, Prem and his battalion were deployed for training under the 9th British Army in the Middle East. From 1943 the battalion, as part of the 10th Indian Division, was actively involved in the ‘Italian Campaign’, where the Division was part of the 8th British Army commanded by General Bernard Montgomery, later Field Marshal, 1st Viscount Montgomery of Alamein.
Prem’s outstanding performance in the Italian Campaign earned him a recommendation for the ‘Military Cross’
Onward to Italy
Prem and his battalion were involved in the Italian Campaign for almost two years until May 1945. The battalion was deployed for operations in the Taranto Sector and in the Eastern and Central Sectors along the Apennine Mountains; they fought battles in ‘River Crossing’ operations at Sangro, Garigliano and Senio.
Prem’s outstanding performance in the Italian Campaign earned him a recommendation for the ‘Military Cross’—but the vagaries in the fog of war instead earned him the gallantry award ‘Mentioned in Dispatches’—his first of the three, two of which follow in the 1948 and the 1965 India-Pakistan wars. Thereafter, in 1944 Prem was promoted out of turn to the rank of a Major when he was just 24 years of age, the youngest officer to achieve the rank at that age.
Prem was the first Indian origin Major in the ‘Royal Battalion’, superseding fellow British Officers in the battalion, thereby exemplifying his high officer leadership quotient.
At the end of World War II, Prem was selected as one of the three officers, with 10 Battalion Commissioned Officers (BCO) and 25 Other Ranks to represent and lead the 10 Indian Division in the Allies Victory March in London in 1945.
Return to India
In October 1945, Prem and his Battalion 3 Garhwal Rifles returned to Lansdowne. The Battalionwas thereafter deployed in the North West Frontier Province (NWFP—currently in Pakistan) at Campbellpore forming part of an experimental Infantry Brigade responsible for testing new weapons and tactics in Waziristan and the Swat Valley. The core task of the Battalion and the Brigade was to suppress the Hazara tribal uprising in NWFP region. At the end of the tenure, Prem was posted as the Training Commander at the Garhwal Regimental Centre at Lansdowne.
After the India-Pakistan Partition, in 1948, Prem was posted back to his battalion 3 Garhwal Rifles deployed in the Kashmir region for the 1948 India-Pakistan war. The Battalion as part of the 160 Infantry Brigade was responsible to clear the Baramullah-Uri axis which they accomplished under heavy odds. Prem earned his second gallantry award ‘Mention-in-Dispatches’ in the Kashmir operations.
Prem as a 28-year-old Lieutenant Colonel was given the prestigious offer to command the 3rd Battalion the 5th Gorkha Rifles (Frontier Force). The Battalion provided support to the Hyderabad State police in their action against the Nizam-ruled princely Hyderabad State to ensure that the State remained in the Indian Union.
Prem thereafter undertook the entrance exam for admission into the Defence Services Staff College (DSSC) at Wellington, Tamil Nadu. In 1949-50 Prem underwent the 3rd DSSC Course where he attained the second position in merit and was subsequently posted as the General Staff Officer Grade 1 to Headquarter East Punjab Area in Jullundur commanded then by Major General SPP Thorat.
In December 1950, Prem was chosen by the Commander-in-Chief of the Indian Army, General KM Cariappa to take up the post of General Staff Officer Grade 1 (GSO 1) at the Headquarter British Commonwealth Occupation Forces (BCOF) in Japan. The appointment was another feather in the cap for Prem and his military career, and he was the first and only Indian origin officer to have been part of the BCOF.
Prem’s position as the Liaison Officer at the Headquarter UN Forces enabled him regular professional interaction with General Douglas McArthur, an honour and privilege which Prem recalls with clarity and great pride. In 1951 Prem was posted as GSO 1 to the 1st British Commonwealth Division in Korea. The Division was actively engaged in the ‘Korean War’ in the peninsula. Prem spent a year in the Division and excelled.
Return to India, and finding love
In October 1952 Prem returned to India and was given his second command of an Infantry Battalion, the 2nd Battalion the 5th Gorkha Rifles at Ferozepur as part of the 43 Infantry Brigade. In 1953, Prem got married to Sheila Devichand in New Delhi. The General won the heart and mind of Sheila, in fact he was a dashing and suave gentleman able to leave a lasting impression on anyone who met with him. At 100 years Prem still carries that aura and gentry to win over people. The love of his life for 57 years, Sheila passed away in 2013.
Ethiopia and the emperor
At the end 1960, Prem was appointed by General KS Thimayya, DSO, the Chief of Army Staff to be Commandant of the Ethiopian Military Academy in Harar, reporting directly to Emperor Haille Selassie of Ethiopia. Prem was also an unofficial military advisor to the Emperor. This tenure over the next three years built a lasting association between the Emperor and Prem.
Back to India
After the Ethiopian tenure Prem was posted for the second time to command a brigade, the 120 Infantry Brigade at Rajouri, as part of 25 Infantry Division. In 1965 Prem was posted as Brigadier General Staff (BGS) and acting Chief of Staff of 1 Corps at Mathura which took part in the second India-Pakistan war in the same year. Prem earned his third gallantry award ‘Mention-in-Dispatches’ in this war for his exemplary contribution to the war effort.
In 1967, at the age of 47, Prem was posted as the General Officer Commanding (GOC) Madhya Pradesh Area. The following year Prem took command of the 3 Infantry Division at Leh which he commanded until 1970. Prem earned his Param Vishisht Seva Medal from VV Giri, the President of India during this command for his overall meritorious service and the specific job of organising and personally directing the relief programme for the local civilian population after an earthquake struck the Ladakh region. Prem’s efforts saved many lives.
In December 1970, Prem took over as the General Officer Commanding (GOC) Bengal Area. This was a vital responsibility since the Area was required to deal with the violent Naxalite problem in Bengal State. In order to do so, Prem was given significant responsibility and authority, and had under direct and indirect command, the three Army divisions then based in Bengal, the Railway, State Police, CRPF, BSF and the Home Guards. During the 1971 India-Pakistan war which led to the creation of Bangladesh, Bengal Area under Prem’s leadership provided vital support to Eastern Command. Leading into the war, the Bengal Area had the crucial responsibility of managing and attending to thousands of refugees pouring into India from East Pakistan.
From the battlefield to the boardroom
On 30 April 1974, after 33 years of meritorious service, Prem retired from the Army and pursued a successful career in the corporate world. In civil life, initially in Calcutta, Prem held senior executive positions in the corporate and public sector including, Director of Shaw Wallace; Managing Director of Durgapore project, a public sector undertaking to which he was appointed by the then Prime Minister Indira Gandhi and the Chief Minister of West Bengal Siddhartha Shankar Ray; and Managing Director of Sankey Wheels. Prem’s contribution to the undertakings enabled them to turn around their losses and be profitable enterprises.
In 1979 Prime Minister Indira Gandhi directly appointed Prem as the Chairman and Managing Director of Incheck Tyres & National Rubber. The position held equivalence to a Minister of Industries and was part of the Appointments Committee of the Cabinet at the federal level.
In 1983, at 63 years Prem took permanent retirement. The General and his wife spent time with their three sons Rahoul, Drone and Kunal who lived in Sydney and Dubai. The General currently resides in Sydney with his eldest son Rahoul. An avid golfer into his mid-80s, Prem never missed a chance to swing his golf clubs at the Delhi Golf Club and the Manly Golf Club in Sydney. The Manly Club honoured the General over an evening sit-down dinner with all the members in 2010.
Prem is associated with many charitable organisations and is a Fellow of the Royal Geographical Society United Kingdom. The General was also an active member of the Royal United Services Institute for Defence and Security Studies in Sydney.
A salute to the centenarian.
The writer is an Indian Army Veteran
source: http://www.theindiansun.com.au / The Indian Sun / Home> India / by Colonel Joseph Malhews / August 14th, 2020
Visionary geologist PN Bose pioneered mineral exploration in India
While he could have easily made a life for himself in England, Pramathanath Bose – nationalist to the core – chose to return to India. Sources by The Telegraph
Pramathanath Bose, a scientist and geologist who lived in the 19th century, has many firsts to his name. Marked by an ardent passion for geology, he pioneered mineral exploration in India and was responsible for the Tatas setting up a steel plant in Sakchi, better known as Jamshedpur.
Born in 1855 in Gaipur village in West Bengal, Bose completed his studies from Krishnagar College with flying colours before moving to Calcutta for further studies. In 1874, he graduated from St Xavier’s College. He travelled to England on the Gilchrist Scholarship to earn an undergraduate degree in science. Bose was in fact the first Indian to get a BSc degree from a British university. He went on to get a diploma from the Royal School of Mines. While he could have easily made a life for himself in England, Bose — a nationalist to the core — chose to return to India.
In 1880, he joined the Geological Survey of India (GSI) as assistant superintendent, the first Indian to hold this post. He served with great distinction for 20 years, assiduously attempting to promote industrial expansion by developing geological resources, particularly coal and iron ore. He discovered the Dalli-Rajhara iron ore deposits in what is now Chattisgarh, which became the captive mines for Bhilai Steel Plant, set up exactly a century after Bose’s birth. Mining started in the Ranigunj coalfields in 1774 but it was under Bose that the operations became systematic and structured.
Next, he turned his attention to Sikkim, not a favourable area for mineral extraction because of inaccessibility, rugged terrain, excessive rainfall leading to frequent landslides and a thick mantle of vegetation. Studies revealed that Sikkim was rich in deposits of copper, iron, lead and zinc, with traces of cobalt, gypsum, graphite, limestone, dolemite, gold, silver and tungsten.
Bose’s tireless efforts in Burma, now Myammar, too were rewarded by the discovery of a variety of minerals. Later, geological studies carried in the royal states of Indore and Kashmir too delineated vast areas with mineral deposits.
Bose’s work in the Narmada valley helped understand the rock structure of the Deccan as well as open up new areas of study such as petrology, historical geology, mineralogy and fossils. He could determine the age of fossils by the radio-carbon method. He located the Gondwana layer in the Deccan which connects Indian history with Africa. His theoretical as well as practical knowledge and his writings in the newsletters and bulletins of GSI helped contextualise Indian geology and elevated the study of Indian geological science in the world.
Bose discovered the unique carbonatite rock and means to extract minerals from granite. Due to his perseverance, the GSI was able to extract manganese and iron ore in Durg, Chattisgarh. In spite of this, Bose was superseded by his British junior, T.J. Holland, as director of GSI in 1903. Miffed, he resigned.
After his voluntary retirement, Bose became technical adviser to the Maharaja of Mayurbhanj. This area in Odisha is rich in mineral deposits, and while surveying it, Bose discovered abundant iron deposits at Garumahishani. It had not escaped Bose’s observation that all his previous discoveries were utilised by the British. This time, he arranged for swadeshi industrialist Jamsetji Tata to sign an accord with the king, Sriram Chandra Bhanjadeo, to establish Tisco (Tata Iron and Steel Company). According to Jamsetji’s biographer, Frank Harris, Bose suggested the factory be set up at Sakchi, at the confluence of the Subarnarekha and Kharkai rivers. He also inspired Jamsetji to set up the Indian Institute of Science at Bangalore.
Bose played a pivotal role in the establishment of the Bengal Technical Institute, now called Jadavpur University, where he was the first principal. He also held regular lectures at the Dawn Society and the Indian Association for Cultivation of Science. He understood that without economic development India’s progress would remain a dream.
Bose wrote books on science in Bengali, including Prakritik Itihaas, which explored the natural history of India. He also published three volumes of the History of Hindu Civilisation During British Rule. This great scientist, who died in 1935, was also a humanist greatly interested in the heritage and culture of India.
The writer is a science historian and author of Science and Nationalism in Bengal
source: http://www.telegraphindia.com / The Telegraph, online edition / Home> Science-tech / by Chittabrata Palit / January 19th, 2020
To greater depths: India’s deepest ventilation shaft for East West Metro in Kolkata.
The Metro project connects Kolkata and Howrah through underground tunnels below river Hooghly
Kolkata’s East West Metro Project, a mega infrastructure venture connecting the twin cities of Kolkata and Howrah through underground tunnels below the river Hooghly, will have achieved another engineering feat on Monday when it completes India’s deepest Metro ventilation shaft. The shaft goes 43.5 metres below the ground level, equivalent to a 15-storey building. The shaft will not only provide ventilation to the tunnels, but also an exit for evacuation during an emergency.
The evacuation shaft is located at Strand Road near river Hooghly and is situated between the two tunnels.
“This is a marvellous achievement, to successfully complete the 43.5-metre deep Metro ventilation shaft on the bank of river Hooghly. This is India’s deepest Metro ventilation shaft ever constructed by adopting a unique methodology… ,” said Satya Narayan Kunwar, Project Manager, Afcons.
Afcons had been commissioned by the Kolkata Metro Railway Corporation Ltd ( KMRCL) to execute the underground stretch of the East West Metro Project from Howrah Maidan to New Mahakaran station, which includes the tunnels below the river bed. The projects have already achieved a number of significant milestones which are considered engineering marvels. Two tunnels running parallel to each other about 37 metres below the river bed were completed by mid 2017 followed by the Howrah Metro Station, which, at 30 metres below the earth surface, is the deepest metro station in the country.
Afcons officials said the ventilation shaft was another such milestone. The shaft has a 10.3 metre inner diameter circular lining wall of minimum 500 mm thickness, and of concrete grade minimum M40 (a special construction material) circumscribed by 1 metre thick diaphragm walls all around.
‘Innovative techniques’
“The Metro shaft has been constructed adopting innovative engineering techniques and methodology to navigate geological challenges and overcome any impact on Kolkata’s circular railway track along river Hooghly,” Mr. Kunwar said.
The 16.6 km East West Metro Project will connect Howrah on one side of the river Hooghly to New Town Rajarhat in the north eastern fringes of the city on the other side. About 10.8 km of the metro line is underground and the remaining 9.8 km of the project will be through an elevated corridor.
source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kolkata / by Shiv Sahay Singh / Kolkata – August 10th, 2020
To talk about public theatre in colonial Calcutta is to encounter its actresses.
The very first recorded women actresses that appeared on the stage of the new public theatre in Calcutta were Golap, Elokeshi, Jagattarini, and Shyama. They starred in Michael Madhusudhan Dutt’s Sharmishtha in 1873.
Their arrival on the public stage was a greatly contested matter for society at large — and especially for the elite men who had the means and ability to engage with the theatre as creators and patrons.
Some, like Girish Chandra Ghosh, the actor-director who towered over the early Calcuttan stage, not only supported women acting, he personally trained and worked with them. (This relationship was not straightforward, and is not meant to position him as some kind of feminist champion as we understand the term now — but simply to demonstrate his attitude towards the issue of cis-women acting on stage). Others, like Ishwarchandra Vidyasagar, who participated in social reform movements, vehemently opposed the idea. Vidyasagar, remembered as a social reformer who supported causes like widow remarriage, was so aghast when it came to pass that he resigned from the theatre.
As Lata Singh points out in an essay on modern theatre, an actress was not the intended beneficiary of the social reform movements led by people like Vidyasagar. Singh has pointed to the formation of the oppressive archetype of the ‘ideal’ Indian woman by the Indian nationalist movement, which demonised any woman who fell outside of its narrow criteria. This included any woman who would perform in public. “Women performers were kept out of the frame of the nation in the making,” writes Singh.
Scholars have shown us the dichotomy that this engendered in the lives of actresses. Although the actresses of the time were extremely popular and acclaimed for their work, stigma would dog them in their lifetime, and continues to in their afterlives in our collective memories.
It is in this uncomfortable space that we encounter Tarasundari, one of the most successful and accomplished actresses of her time.
Born in 1878, Tarasundari was introduced to theatre by her neighbour and friend, Binodini. Binodini was 15 years older than her, and was already a well-known actress when Tara started acting. Her first role, at age seven, was that of a little boy in Girish Chandra Ghosh’s Chaitanya Lila, beginning a career that spanned decades.
Despite her professional success, the context in which Tarasundari was performing was extremely difficult.
The translator of Binodini’s two memoirs, Rimli Bhattacharya, who has studied the pivotal role of the actress in Bengal’s theatre history, writes, “[The] professionalisation of the stage with the hiring of actresses provoked a spate of letters, editorials and speeches at public meetings…The greatest fear was that they would corrupt the youth of Bengal… there was a constant fusillade — sometimes bitter and often ludicrous — directed against the actresses.”
The actress was immediately and vehemently derided, and regarded with fear and suspicion. The chief anxiety was her supposed “influence” over young men who were in reality far more socially powerful than her. “The vulnerability of women becomes apparent in this context: almost every little girl who joined the theatre came from what were designated as a-bhadra (‘dis-respectable’) households, usually those of women abandoned by husbands or lovers, or widows without any source of support,” writes Bhattacharya.
In addition to the constant public attacks, professional actresses were not paid equitably, or even enough to be financially secure. They were constantly under pressure to become the mistresses of elite men — entanglements that necessitated the managing of these men’s egos and negotiating with their dictates.
At the same time, the women on stage made pioneering cultural and material contributions to the theatre. Aside from their creative work on stage, they contributed in monetary terms, and by mentoring actors. Tarasundari was part of this — she was acknowledged for teaching, and later in her career, for financing theatrical productions.
But what she was most known for was her prowess as a performer.
Aside from being an actress, Tarasundari was also a dancer, a formally trained singer, as well as a published poet. Like her peers, she played a wide variety of roles — historical figures (Razia Sultana), to literary heroines (Desdemona ), to mystics (Jana), to neo-mythical figures (“Mata Banga Bhasha” — Mother Bengali Language).
Ironically, this last role as the personification of the Bengali language was part of a play to honour Vidyasagar. The editor of Nachgar wrote that the role earned her “a permanent place on the Bengali stage”.
So popular and skilled was Tarasundari that she could save the fortunes of a floundering theatre company or show with her participation. She was given the moniker “the Divine Sarah of Bengal”, after Sarah Bernhardt, the famous 19th century French actress — a move that Bhattacharya reads as “an effort to ‘internationalise’ her”.
Yet Tarasundari has been sidelined, her artistic contributions near-forgotten except in specialist spaces like academia. When Bhattacharya went to meet Prativa Devi, Tarasundari’s daughter, in Bhubaneshwar, she found that “the only material legacy” of the legendary actress that remained was a huge framed photograph. Many researchers had visited before her, and Prativa Devi had found that they had not stopped writing about her mother as “a fallen woman” while Tarasundari’s male colleagues and detractors were remembered with reverence.
Sarvani Gooptu, too, argues in the essay “Memory and the written testimony: The actresses of the public theatre in Calcutta in the 19th and 20th century” that most actresses of this time, including Tarasundari, are remembered in relation to their romantic relationships rather than artistic legacy.
Gooptu criticises the actresses for describing themselves as “lowly” in relation to their mentors and suggests that that is why their achievements were erased. But this self-fashioning cannot possibly be divorced from the context in which they existed, in which they were the targets of constant revulsion. Nor can we accurately assume this was the only way they articulated themselves.
In the context of the constant public attacks against them in the press and in public meetings (despite newspaper reviews that seriously engaged with their work), and the constant questioning of their authenticity (Gooptu points out that the “actual” authorship of the actress and playwright Sukumari’s play was constantly attributed to men she was acquainted with, rather than rightfully to herself), this erasure is part of a venomous legacy that seeks to reduce, to deride, to erase.
One antidote is remembrance — to seek out the material that still remains with us, and to acknowledge the formative influence that an artist of Tarasundari’s stature had on theatre.
source: http://www.firstpost.com / FirstPost. / Home> Long Reads / by Shreya Ila Anasuya
Duo rescue people abandoned on roads, clean maggots and nurse them back to health
Priyanka Mitra (right) with Priyam Dutta (second from left), a friend (left) and a woman (third from left) they had rescued from a road in north Calcutta where she had been lying injured for three weeks / Telegraph picture
Two women have been rescuing people abandoned on the roads of Calcutta, many of whom government agencies had hesitated to touch because of the pandemic.
The two have been able to rescue seven people found abandoned near Nagerbazar, Amherst Street and Maniktala in the past 15 days. One of them who had been lying on the road for 14 days and had severe infection could not be saved.
Priyanka Mitra, 33, and Priyam Dutta, 33, have been helping abandoned and injured people and animals for the past five years, from cleaning their infected limbs to nursing them. The Covid crisis has left them busier.
The two with a dog they rescued / Telegraph picture
Mitra works in a telecom company and lives with her mother in Baguiati. She is posted in Odisha but returns to Calcutta every weekend when she teams up with Dutta to serve the needy on the roads.
She has been working from home during the lockdown and the number of “cases” they have handled has gone up.
Dutta is a single mother. She lives with her 13-year-old son and father. She has been supporting Mitra outside her professional job as a physiotherapist.
On June 4, officers of Baguiati police station called them to “remove” a man who had been lying on the road for two days. Mitra and Dutta took the man to RG Kar hospital where he was diagnosed with “severe malnutrition”. They kept visiting him till he was back on his feet in four days and discharged.
The two have rescued hundreds of men and women lying incapacitated on roads in the past few years.
In the initial days, people around them would mostly react with shock, Mitra said. “Many years ago I found a woman inside the Indian Botanic Garden lying motionless… only her eyes kept flickering. When I started to remove the maggots moving on her, one of my friends said ‘Pagal hai kya? (are you mad?)’.”
She said she ignored such jibes and continued to do what she thought was right.
Priyanka with a woman they had found unconscious on the street with both her legs fractured. This picture is when she was back on her feet after surgery at RG Kar hospital. / Telegraph picture
Both Mitra and Dutta have always used gloves as their work involves touching strangers often covered in dirt and at times cleaning maggots at the risk of getting infected themselves.
These days, they have started wearing masks in addition to the gloves.
“I regret one incident… a woman was lying motionless in the Amherst Street area a few weeks ago. We cleaned
her face with a wet cloth and tried to make her drink some water… she gasped for a moment and passed away,” Mitra said. “I later found out she had been there on the road for five-six days without food and water. I wish someone had spotted her earlier. She could have been saved.”
Are they not afraid of a Covid infection?
“Of course we are! At times we keep a count of 14 days after helping a person on the road,” Mitra said. “At the end of the day, we tell each other, ‘amader barir lok holeo toh etai kortam (we would have done the same thing had it been someone from our family)’.”
Her father who was an insurance agent inspired her to do such a work. “He would always say we should feel lucky if we can support anyone who needs us. In his endeavour to help others, he left us nothing. I started from scratch.”
Around a decade ago, when she was in college, Mitra gave tuitions and sold Oxford dictionaries and recipe books for a commission of Rs 30 a book in Howrah and Salt Lake to pay her college fees. Once a dog was unleashed on her in Salt lake as the family did not want any salesperson in their apartment, she said.
Dutta, too, had her own set of struggles in her married life. She found a way to support her family by learning physiotherapy.
“I used to be afraid of cockroaches. But seeing her pluck out each and every maggot… so sincerely to prevent the spread of infection, I have been able to overcome that fear, too,” Dutta who is more into feeding and curing stray dogs said.
Every night, the two would step out with home-made “mangsho-jhol bhaat and biscuits” to feed strays across the city.
The two have been taking uncared and unclaimed men and women to government hospitals where treatment is mostly free. The two bear any extra expenses. They said they were lucky to have the support of their families and police.
In March 2016, Mitra had spotted a woman lying on the road near Baguiati Joramandir. One of her legs was bandaged but her clothes and the condition of the bandage made it clear she had been abandoned, Mitra said.
“I contacted the police and got her admitted to RG Kar. She underwent multiple surgeries. We later learnt she hailed from Rajasthan and that her husband had thrashed and broken her leg before dumping her on the road,” Mitra said. “We managed to contact her home with the help of cops and various NGOs… her mother came and took her home. I will never forget her smile when she stood on her feet again.”
source: http://www.telegraphindia.com / The Telegraph, Online Edition / Home> West Bengal> Calcutta / by Monalisa Chaudhuri / Calcutta / August 06th, 2020
With a career of about fourteen years, Dasgupta have approximately 8,000 songs under his belt including 80 Bengali movies – his unique contribution was the invention of a shorthand method for swaralipi.
In the 1940s, he was a star composer. He had many firsts to his name. He was the most educated man across the industry in those days. He came to the rescue of singers who were trying to break into the music world. He gave music in the most successful films of the 40s. The sale of his private records touched an all-time high. Yet the man behind many unforgettable melodies has been forgotten – he was Kamal Dasgupta.
Kamal was born on July 28, 1912, in Kalia village in the district of Jasore, then in British India (now in Bangladesh). He was initiated into music by his father Prashanna Dasgupta. He later learnt it from his brother Bimal Dasgupta. Afterwards, he became a disciple of the legendary Dilip Kumar Roy and Ustad Zamiruddin Khan. He did his matriculation from Calcutta Academy. Later, he completed his B Com from Komila Victoria Collage. He joined Banaras Hindu University (BHU) for his masters. He earned his PhD from BHU for his work on Mirabai’s bhajaans and music.
Kamal Dasgupta was a versatile musical genius. He used to sing modern songs in Bangala, Hindi, Urdu and Tamil.
He was a brilliant composer who composed around 8,000 songs. His first composition was recorded in 1932 in the voice of Satyaboti. His composition was classical based and folk music. Later he tended to lean towards Thumri style and Naats.
In 1935, Kamal Dasgupta joined the Gramophone Company of India in Calcutta as a music director. During this stint, he developed a close and lasting association with the poet Nazrul Islam. They became fond of each other and the relationship lasted for eleven years (1934-45). The culmination of their friendship were 400 songs – inspired by the works of the poet.
Calcutta was the major hub of Indian films produced in the 1930s. New Theatres and Madan Pictures were the main studios along with the other companies. After earning a name with his compositions, Kamal tried his luck in films. His first picture was Pandit Moshai (1936) in Bangla which was followed by Sarbjanin, Vivahotsab and Devyani between 1936-1942.
The legendary actor, director Prathmesh Chandra Barua was impressed by his music and gave him a break in Jawaab in 1942. PC Barua directed both the version in Hindi and Bangla. The film was an instant hit. It had cult numbers like Toofan mail ye duniya toofan mail, Ae chand chhup na jana and Kuchh yaad na rahe.
Kamal Dasgupta’s next film was MP productions social, Hospital, starring Kanan Devi, Ahindra Choudhary and Heeralal. Its hit number was, Ghata chhayi ghanghor. The very same year he did another Barua Production, Ranee. The cast included J Ganguly, Kalawati, PC Barua and Jamuna. Like his earlier films, his music became popular.
Kamal Dasgupta was as successful in films as he was in his private recording career. In 1944, he moved to Bombay and did the film Meghdoot (1945), based on the Sanskrit poet Kalidas. Leela Desai and Sahu Modak were in the lead. The film was directed by the legendary Debki Kumar Bose.
During his stay in Bombay, he did several films across different genres. His next film was Arabian Nights, directed by Niren Lahari. The cast included Kanan Devi, Nawab and Robin Majumdar. All the numbers of the film became very popular – Suno suno kya ek naya fasana, Hum dil ko, dil hamko samjhaye, Mujhe sapno se kaun jagaye re and Aankhon ki roshni hai dil ki ye ye chandani hai. The same year, he did a social film Bindiya, starring Ragini, Amar, M Shakeer and E Billimoriya. The film was directed by CM Luhar. Kamal Das Gupta used the voices of Anima Dasgupta, Kalyani Das, Hemant Kumar and Amar. Its hit numbers were: Hanso hanso ae kamal kali, Jeevan sargam pe aye jaa geet suhane, Meri aankhon mein ye aanshu nahi dil ki kahani hai and Chand pass hai raat andheri kyun.
His next film was the mythological Krishna Leela (1946) which was directed by Debki Kumar Bose and had Kanan Devi and Paresh Banerjee in the lead. The popular hits in this film were: Man mein basa le manmohan ko, Prabhu teri maya jo chahaye, Sawan ki rani aaiye, Chanda door gagan mein bulaye, More janam janam ke saathi, Bahein churaye jaat ho nirmal mohe jaan and Tera ghar man mera.
1946 was the busiest year for Kamal Das Gupta. He did Zameen Asmaan for director Dwarka Khosla, starring Ranjana, Jeevan and Kusum Deshpande. Its hit numbers were: Ek raat kabhi aisi aye, Papiha papiha to pee ko pukaar and Ek geet sunana hai hamein. Coming back to Calcutta, he did Faisala (1947) followed by Manmani. The film had Ragini and Jairaj in the lead. The film was directed by Sarvottam Badami. Its hit numbers were: Ishare ishare mein duniya bana li, Baiman tori batiya jadu bhari and Ae chaman bata kyun hansta hai.
His last film with his mentor PC Barua was Iran Ki Ek Raat (1949) – a costume drama, starring Jamuna, Narang, Chandrakant and Chandrawati.
Its melodious number were: Ulfat mein jise banaya tha, Chhalke chhalke sarabein jawani ke palaye, Kaun hai teer andaaj bada, Ae dil kya and Khel hai ye zindagi.
His last release was Phulwari in 1951. He had 40 films to his credit. Following this, the maverick composer got completely disillusioned by the film industry and recording companies. His favourite songs which were sold in the lakhs didn’t carry his name on the jackets.
At the age of 44, he married his favourite singer, Firoza Begum and embraced Islam. Kamal Dasgupta, by now, became Kareemuddin Ahmed. He kept on doing movies whenever an offer came. His last film in Bangla was Bodhu Baran in 1967. He shifted to Dhaka. When Bangladesh became independent, he became a citizen in 1972.
The composer was a man of taste. He owned a Buick, a rare thing in Calcutta in the 1950s. He was a great human being. He fed hundreds of people during the Bengal famine. He was also extremely fond of cricket. He was blessed with three sons – Shafin Ahmed, Hamin Ahmed and Tahsin Ahmed. They followed their father in music and cricket. Two brothers played cricket at the state level and Hamin Ahmed was selected for the national team of Bangladesh.
Kamal Das Gupta with his failing health and lack of proper medical treatment succumbed to his ailments and passed away in Dhaka on July 28, 1974, at the age of 62.
source: http://www.millenniumpost.in / Millennium Post / Home> Sunday Post> Beyond Bygone / by Sharad Dutt / March 07th, 2020
To duck the coronavirus or dodge Amphan’s fury was never top of their agenda
SERVE ALL: Food being prepared in the Khalsa Aid kitchen for those hit by Amphan / Courtesy, Raghbir Singh
During the first few days of the lockdown, Raghbir Singh and some others served 500 meals in and around south Calcutta. Thereafter, they lost count and it was never the point in any case.
The 30-year-old, who works part-time as a real estate dealer and also helps out with the family car rental business, is not new to relief work; he has helped during the Kerala floods of 2018 and the Assam floods of 2019. He says, “When the lockdown was announced, we knew our relief work would have to be ramped up. Since Day 2 we started cooking dal-chawal daily at the Garcha gurdwara and distributed it to people living on pavements and makeshift houses by the roadside.” Volunteers also went around city hospitals such as Chittaranjan Hospital in Park Circus, R.G. Kar Medical College and Hospital in Shyambazar and Calcutta Medical College on College Street with food packets for patients’ kin.
After the first few days, volunteers of Khalsa Aid, a UK-based humanitarian relief organisation, with the help of south Calcutta’s Sri Guru Singh Sabha Gurdwara, started distributing rations — flour, rice, pulses, sugar, salt — to those in need. They had those as well as cooked food home-delivered too. Raghbir has also been on National Highway 6 a couple of times since the lockdown to hand out bottles of drinking water, biscuits, puffed rice and juice to migrants walking home.
It is difficult to get phone time with Raghbir. Their garage has been shut, and he has been immersed in seva round-the-clock. It entails serving cooked food all day and then driving around the city in the evening delivering household staples.
Raghbir says amidst all this frenetic activity, every successive day he has seen a different side to humanity. “I saw first-hand how difficult it was for the daily-wage earners to survive. They wanted to earn money and some refused to accept the food we distributed.” He talks about others, middle-class folks who first fought shy of seeking assistance, but approached him when he was by himself. “I met so many people who feel that because they are poor, they do not exist for the government,” says Raghbir in muted tones.
On the night of Cyclone Amphan, Raghbir and others from Khalsa Aid got their cars out and drove around the city looking for the stranded and those in need of help of any sort. “We came upon more than one ambulance — carrying patients and kin — stuck on the road. There were uprooted trees all around, impeding movement,” he says.
The morning after brought to light the scale of devastation. Keeping in mind the disrupted power supply and lack of running water across the city, the sevaks went about collecting more groceries. On the first day, they distributed food and water among 400 people, the next day that number doubled and the day after that, it tripled.
Funds to continue this outpouring of support continue to come from private organisations and individuals, most of who prefer to remain nameless.
The night of the cyclone, Raghbir and other volunteers had received instructions
to be on Ground Zero and report the situation so they could start relief work immediately. He says, “We were unable to reach places such as Namkhana and Kakdwip in South 24-Parganas as the roads were completely blocked; so we focused on Calcutta until the roads were cleared.”
On May 25, the group set up their base camp in Diamond Harbour, also in the South 24-Parganas. Raghbir says, “Most of the people had kutcha houses and the cyclone had blown them away. We had carried along plastic sheets; we made canopies for temporary shelter.” The kitchen in Diamond Harbour fed the locals and also many in the Sunderbans and Sagar Island.
Did Raghbir ever fear that he would contract the coronavirus? Does it play on his mind even now in the face of continuing relief work? By way of reply, a photograph lands in the chat window. A close-up of a Khalsa Aid T-shirt with a message emblazoned on it. It reads — Recognise the whole human race as one. Raghbir says, “There is magic in the uniform.”
source: http://www.telegraphindia.com / The Telegraph, online edition / Home> Culture / by Manasi Shah / June 06th, 2020
India and Bangladesh have enhanced cooperation in shipping and inland water trade in the recent years.
MEA Spokesperson Anurag Srivastava
New Delhi :
The first-ever container cargo from Kolkata via Bangladesh’s Chattogram port has reached Agartala, the External Affairs Ministry said on Thursday, terming it a “historic milestone” in the Indo-Bangladesh connectivity and economic partnership.
Union minister Mansukh Mandaviya had last week flagged off the first trial container ship from Kolkata carrying cargo meant for Agartala that reached the city via the Chattogram port.
MEA Spokesperson Anurag Srivastava said it will help in further development of the northeastern region.
“Another historic milestone in India-Bangladesh connectivity & economic partnership as the first ever container cargo from Kolkata via Chattogram port reaches Agartala.
This will help in further development of the north eastern region,” he said in a tweet.
India and Bangladesh have enhanced cooperation in shipping and inland water trade in the recent years.
Under the Protocol on Inland Water Transit and Trade, in addition to the six existing Ports of Call, five more in each country have been added recently, the Ministry of Shipping said in a statement last week.
A Port of Call is a place where a ship stops during a voyage to enable the loading and unloading of cargo.
Dredging of inland waterway routes is ongoing under a pact signed by the two countries on development of fairway in selected stretches of Bangladesh waterways, with the Government of India bearing 80 per cent of the project expenditure and the balance being borne by the neighbouring country, it said.
Cruise services have also commenced between the two countries, promoting tourism and people-to-people contacts, it said.
source: http://www.newindianexpress.com / The New Indian Express / Home> Nation / by PTI / July 23rd, 2020
He had been admitted to a private hospital for a procedure and later his Covid test report came positive.
Manabendra Bandyopadhyay / sourced by The Telegraph
Manabendra Bandyopadhyay, a former professor of comparative literature at Jadavpur University, passed away on Tuesday. He was 82 and is survived by daughter Kaushalya.
Bandyopadhyay was among the five students of the first batch of the comparative literature department at JU, which was launched by poet Buddhadev Bose in 1956.
He had been admitted to a private hospital for a procedure, said a professor of the department. “The procedure went fine and he was supposed to go home. But he had some complications. His Covid test report came on Tuesday afternoon and it was positive,” the professor said.
Bandyopadhyay was widely known for translating Latin American literature into Bengali.
Ipshita Chanda, a JU teacher who did her PhD under him, said: “Death does not diminish professor Manabendra Bandyopadhyay’s presence as the scholar, translator and ‘rasika’ who introduced the Bengali reader to literatures of the ‘third world’ as well as to literatures in other Indian languages. Not only did he translate prolifically, he also, on principle, produced scholarly and creative work in Bangla, inspiring and encouraging his students to do the same. He was not only a PhD supervisor but a mentor, a guide and above all an understanding and humorous friend.”
Another teacher said he introduced Gabriel García Márquez in the syllabus of the department before the Latin American author won the Nobel prize.
“He was the one who translated Jules Verne in Bengali. Dev Sahitya Kutir would publish the abridged version initially. Later, as his expertise grew, he started coming up with unabridged versions,” said a teacher of the department.
source: http://www.telegraphindia.com / The Telegraph, online edition / Home> West Bengal> Calcutta / by Special Correspondent / August 05th, 2020
