Monthly Archives: April 2020

An acclaimed Bengali pulp fiction writer turns a voyeuristic eye on the secrets of Calcutta by night

Epicentre of the renaissance and reform by day, the city was den of shocking behaviour by night, according to Hemendra Kumar Roy’s ‘Calcutta Nights’.

Clyde Waddell / Public Domain

In these times of social distancing, Calcutta Nights , a recently translated crisp vintage work from 1923, beams up from the past the whole human mess of city life as we may fail to experience for a long time now – enticing , contagious with its mirth, sorrow and decadence, yet ultimately safe. Calcutta-ness is both a cult and a code.

That Calcutta, totem pole of cult, is a distilled city, a Xanadu rich with local detail yet universal, contemporary yet not belonging to any particular period, a continuum of experience. No wonder then, that this wondrous city, simultaneous epicentre of renaissance, nationalism, reform movements and debauchery, should inspire city sketches, first made popular in the mid and late 19th century by the inimitable Hutum Pyachar Naksha. Decades later Hemendra Kumar Roy, prolific and popular author of detective fiction, adopted a nom de guerre to have a go at chronicling the scintillating night life of Calcutta in the 1920s.

If books were bordello windows, their sepia light beckoning, Calcutta Nights would be one such, quite literally. A salacious account of what the night unravels, the book takes you behind the scenes, reports on the microcosm of hedonism, the power plays, symbiotic relations, the intimacies of a prostitute with her regular customer, the paanwali bartering and trading with the police, the beggar, the opium-smoker. What sets this book apart is the flawed and reluctant author.

A warning, apparently

A prolific writer of detective fiction, primarily for children and young adults, Roy probably stumbled upon this diverse and rich material probably while researching for his more innocuous detective novels – armed with a stout stick, he says, and at great personal risk. Against his better judgment, he writes about city la nuit, worried and embarrassed about the task at hand, the adirasa or eroticism that he has failed to avoid while raising the curtains of hell.

In his introduction, he rushes to reassure his readers that none of them will find Calcutta Nights obscene. It is, rather, written with the noble intention of sounding a warning to “fathers of young girls and boys”. Our Meghnad Gupta, author in hiding, is no Samuel Pepys, the veritable diarist of 17th century London who wrote himself into his salacious scenes, boasting about his own ardour and peccadilloes.

The city Roy writes about is a city of men, consumed by men. In the author’s own words this book is “ written for an adult male audience,” a sweeping exclusion that predictably rankles this reviewer’s entitled, liberal, feminist bourgeoise self. Said outrage is difficult to cull at first. Then, as the book shines with its vivid portrayals, the puritan author becomes part of the setting and it is possible to turn the judging “gaze” right back at him, to see him in all his troubled light.

Here was an author writing about hedonism at a time when the wave of nationalism was peaking, his puritan acuity often criss-crossing with an awakening of socialism. His feelings about the women he writes about swing from condescension and humble misogyny (empathetic and damning at the same time – a tone often taken when writing about giants by the best of Bengali literary stars, Sarat Chandra Chatterjee included) to genuine insight.

Atmospheric ride

A pacy read, the depiction is vivid and colourful. Despite his protestations the author is clearly an insider – therein lies the strength and authenticity of this sketch. The description is atmospheric. Roy bring alive, with cinematic realism, the night in which “owls flutter away…and gradually the swarthy ugly faces begin to peep and snoop.”

And slowly Chitpur Road transforms itself – weary clerks disappear, the streets are filled with the scented babus, their faces aglow with Hazeline snow seeking verandthe a belles. Kapure babus, hothat-babus, ingo- bingos, the rich, the white, the Marwari, Chinese, European women of loose morals, courtesans of Chitpur, lustful ladies of Kalighat, the poor prostitute, the wanton widow – each scene, as the chapters are aptly called, presents to us a glossary of social categories.

One of the most striking sketches is that of the Bhikiripara or beggar’s quarters. There are fabulously sensational bits, revealing the author’s – Roy had translated Bam Stoker’s Dracula – penchant for the supernatural and the fantastic. Particularly recommended are scenes from the Nimtala Crematorium and the one featuring a prostitute who beckons men into her room where a dead man lies, his throat slit open.

Translator Rajat Chaudhuri craftily balances archaic words with new ones, never upsetting the tonal authenticity of a period piece. Ultimately he strikes the right cadence – the voice often changing as it travels from Chitpur bordellos to the jazzy evenings in the Anglo quarters or the dim Chinese taverns.

For its depiction of the crowded and dense interplay of lives in the Calcutta of those days, this book is a perfect curl-up for these epic-dammed solitary afternoons. A treasure trove for every city addict has been discovered.

Calcutta Nights, Hemendra Kumar Roy, translated from the Bengali by Rajat Chaudhuri, Niyogi Books

source: http://www.scroll.in / Scroll.in / Home> Book Review / by Lopa Ghosh / March 29th, 2020

J.B.S. Haldane: Iconoclast, adventurer and a man of science

The book aptly presents the socio-economic background of Haldane, particularly his father role in shaping his young, curious and socially sensitive mind

J.B.S. Haldane / [Wikimedia Commons]

Samanth Subramanian’s book reveals a lot about the man who is its subject. It succeeds in conveying the multifaceted character of the protagonist, his dislike for conventional wisdom, his participation in World War I and the Spanish Civil War as well as his involvement in the British war effort during World War II and, of course, his pioneering contributions to the formative works of evolutionary genetics. Subramanian correctly points out that J.B.S. Haldane was a creative man full of new ideas who wrote many papers in reputed scientific journals. When he was not doing active science, he was busy writing about science for common people. The author also gives a lot of emphasis on the political work of Haldane which makes the book fascinating to read. It is rare to find such a vocal and politically active communist scientist in the history of science.

The book aptly presents the socio-economic background of Haldane, particularly the role played by his father in shaping the mind of the young, curious and socially sensitive Haldane.

Subramanian also succeeds in conveying the scientific nature of Haldane’s work which makes this book not only relevant to the general reader but also valuable for those interested in understanding the history of evolutionary genetics and biological sciences. This book is a good example of popular science writing and can be appreciated truly if the reader has an interest in the biological sciences.

To convey Haldane’s iconoclastic disposition, the author, at times, becomes a bit too harsh in his portrayal of the scientist’s idiosyncrasies and apparent lack of diplomatic skills. Creative minds often have their own set of idiosyncrasies and find social interactions difficult which reflects their complex thought processes.

A Dominant Character: The Radical Science and Restless Politics of J.B.S. Haldane by Samanth Subramanian, Simon & Schuster, Rs 799Amazon

Haldane had a special relationship with India. At sixty-four, he preferred to leave England and settle down in India, a fact that is difficult to believe as sixty-four years is rarely perceived to be an age when someone chooses to start afresh in a different country with a completely different set of languages. He spent the last part of his life (1956-1964) with his wife in India. He became an Indian citizen and worked in the Indian Statistical Institute in Calcutta and later settled in Bhubaneswar. He left England at the height of the Suez crisis in 1956 because he thought his country was on the wrong side of history. For Haldane, India was a new dream, a dream of Nehruvian socialist nation-building, where he could chip in with his scientific knowledge to help the country produce good biologists. This part of Haldane’s life is well-documented in the book.

Subramanian has tried his best to convey the main scientific beliefs of Haldane by pointing out that he was one of the pioneers who tried to implement the ideas of heredity as propounded by Gregor Mendel in the study of natural evolution. The relationship between genetics and evolution became clearer in the works of Haldane and his contemporaries.

In describing the character of Haldane, Subramanian also conveys his feelings about the Soviet Union. The Soviet Union is a recurring theme in this book as the protagonist was associated with the Communist Party of Great Britain for a long time and had played a role in the Lysenko affair. Subramanian describes the communist Haldane elegantly but fails to find anything positive in the Soviet Union. This is a bit strange. In this otherwise splendid book, Subramanian perhaps missed out the fact that if revolutionary Soviet Union, with all its faults, had not existed, then iconoclastic and adventurous scientists of the nature of Haldane, who fought for science and the liberation of the proletariat, may not even have existed on earth.

source: http://www.telegraphindia.com / The Telegraph, online edition / by Kaushik Bhattacharya / April 10th, 2020

A glorious history of visual arts from east India

VISUAL ARTS: Ghare Baire is a grand exposition of Bengal art being held in Currency Building in BBD Bag

Assassinated, a painting by Prokash Karmakar / Delhi Art Gallery

Ghare Baire is a grand exposition of Bengal art being held in Currency Building in BBD Bag. It celebrates the glorious history of visual arts in this region of eastern India. It gently unfolds before one’s eyes as one perambulates through the galleries on the three floors where over 800 works are displayed. One can even go so far as to say that this is one of the best things that has happened in years in Calcutta’s stultified cultural space if one can forget the prime minister’s self-appointment as the head honcho of Bengal’s culture in his inaugural speech on January 11, and the mangled Bengali text accompanying the exhibits, that has since been rectified.

The massive project has been handled and financed by the Delhi Art Gallery. The National Gallery of Modern Art collaborated with it. Most of the art work came from DAG’s collection. The magnificent Currency Building constructed in 1868 has been restored by the Archaeological Survey of India. Ghare Baire is closed now, but according to a DAG statement, “As per our ongoing plans and talks with the Ministry of Culture, Ghare-Baire… is planned to be extended by a year, and that will be confirmed once we emerge from the current lockdown, by mid-April.” The introduction of the catalogue by Ashish Anand, CEO and managing director, DAG, drops a clanger. Rabindranath is referred to as thakurda. Hope that will be taken care of.

The exhibition begins with Frans Balthazar Solvyns’ prints of life in 18th century Calcutta hung along the staircase that leads to the first floor galleries with views of Calcutta by the Daniells, Henry Salt, and of Chittagong by James George. This is supplemented by other relevant material like maps and contemporary books. It is obvious that this is backed by solid research. This is the kind of museum that Calcutta needs to showcase Bengal as the crucible of Indian modernism.

This is the first — European Artists in Calcutta — of the 11 sections, the other 10 being: Early Indigenous Art, Realism and Academic Art in Bengal, Bengal School, Santiniketan: Charting Untrodden Courses, and Visualising Bengal Man-made famine, The Liminal Language of Bengal’s Modernists, India’s National Art Treasure Artists, Devi: Intrinsic to the City, Printmaking: Democratising Art, and lastly,

Modern Sculpture in Bengal on the ground floor. Another ground floor room is dedicated to Nemai Ghosh’s adulatory photographs of Satyajit Ray. This gives one some idea of the treat in store.

There are some splendid Early Bengal oil paintings of deities, but the Kalighat pats are of uneven quality. The Santiniketan section had a huge lacuna: no K.G. Subramanyan. Of late, 32 new works have been added, two by Subramanyan. The most moving is the section on the Bengal famine with Chittaprosad, Zainul Abedin, Paritosh Sen, Somnath Hore, Quamrul Hassan and Gobardhan Ash, and a large Ramkinkar oil.

The exhibition allows almost forgotten Calcutta Modernists like Prokash Karmakar (picture: Assassinated, 1966), Nikhil Biswas, Dharmanarayan Dasgupta, Bijan Choudhury, Rabin Mondal and Paritosh Sen to reclaim their rightful place in art history by revealing them in their full glory. Yet, women artists are given short shrift. Sunayani Debi, Meera Mukherjee and Mrinalini Mukherjee are there, but where are Arpita Singh, Anjolie Ela Menon and Jayashree Charavarty? Didn’t they deserve to be here?

source: http://www.telegraphindia.com / The Telegraph, online edition / Home> Arts / by Soumitra Das / April 04th, 2020

Kolkata gets its first ‘disinfectant tunnel’ at iconic New Market

The walkthrough sprinkler uses Hydrogen Peroxide and not Sodium Hypochlorite.

A commuters stands in side a disinfectant tunnel  at the entrance of New Market ,spraying Hydrogen peroxide , a chemical compound during a government -imposed nation wide lock down as a preventive  measure  against the COVID-19 Corona virus in Kolkata on April 06, 2020.Express photo by Partha Paul

In a bid to ensure public spaces like markets are safe amid the novel coronavirus (COVID-19) pandemic, there have been calls for broader sanitising measures. Now, in one of Kolkata’s busiest markets, a disinfectant sprinkler system has been placed to sanitise people entering and exiting the premises.

At one of the gates of Kolkata’s bustling, century-old, New Market, a walk-through kiosk has been installed with water-sprinklers spraying disinfectant on traders and customers. The sprinkler has been set up by Harley Sanikool, a wing of F Harley company, in collaboration with Kolkata Municipal Corporation. The firm specialises in misting and fogging of commercial plants.

Talking to IndianExpress.com, company representative Apurve Kakkar explained how their solution is different from all the other existing tunnels in the country so far and safer. “The tunnels that have been installed elsewhere are spraying a solution of Sodium Hypochlorite (NaOCl). As you know, it’s a bleaching agent which even in diluted form is unsafe for humans. For our system we are using a diluted version of Hydrogen Peroxide (H2O2), it also has antiseptic properties used for treating wounds, so is completely safe to be used on human beings,” he highlighted

A commuters stands in side a disinfectant tunnel  at the entrance of New Market ,spraying Hydrogen peroxide , a chemical compound during a government -imposed nation wide lock down as a preventive  measure  against the COVID-19 Corona virus in Kolkata on April 06, 2020.Express photo by Partha Paul

As of now, the company has installed only one gate at the market owing to the lockdown, but plans to install more gates as soon as it’s feasible and the government gives more orders for it. “The system will work on time-based and sensor-based technology as we don’t want to waste resources. Our intention is to kill germs effectively by not harming anyone or wasting water.” he added.

After the lockdown was enforced, migrant workers travelling back to their home states were sprayed with a disinfectant, and one particular incident in UP’s Bareilly sparked a huge controversy . The migrant workers were showered with water mixed with Sodium Hypochlorite , which is used on a large scale for surface purification, bleaching, odour removal and water disinfection.

Talking about the gate to The Indian Express , Debabrata Majumder, MMIC, Solid Waste Management said the kiosk has been installed on a trial basis. “We have put up just to see how it’s working. First, we need to be sure that it’s completely safe and only once we get proper certification about the chemicals used in the system, will we go ahead with the plan,” the senior KMC official said. “If the certification is proper and results are satisfactory, then we will install it in other markets around the city,” he added.

Rajib Singh, secretary of New Market Traders’ Association, called it a welcome move. “This is for the first time something like this has been done in Kolkata. There will be no fear of coronavirus if people are entering the market using that gate as the whole body will be sanitised. There are also talks to install more such gates in other markets too.”

Earlier, such tunnels have been installed in Mysuru  and Mumbai, while a mobile sanitising van has been made operational for Pune Police .

source: http://www.indianexpress.com / The Indian Express / Home> Cities> Kolkata / by Shreya Das & Joyprakash Das / Kolkata – April 07th, 2020

Indian-origin doctor, who won Miss England 2019 title, hangs up crown to fight COVID-19

Basha Mukherjee is self-isolating for one to two weeks until she can return to work as a doctor to help in coronavirus pandemic. “There’s no better time for me to be Miss England and helping England at a time of need,” she told CNN.

Bhasha Mukherjee, who shifted from Kolkata at the age of 8, specializes in respiratory medicine. (Source: Instagram/Bhasha Mukherjee)

Indian-origin doctor Bhasha Mukherjee, who was crowned Miss England in 2019, has returned to the United Kingdom to help out on the frontlines in the ongoing coronavirus (COVID-19) crisis.

The beauty queen, who took a break from the medical profession to focus on charity work abroad after competing in the Miss World competition last year, told CNN on Monday that she has returned to the United Kingdom to aid the medical professionals. She told that it felt wrong to be wearing her Miss England crown, even for humanitarian work, while people around the world were dying from coronavirus and her colleagues were working so hard.

As the COVID-19 situation worsened in the UK, Mukherjee was getting messages from former colleagues telling her how hard the situation was for them. “When you are doing all this humanitarian work abroad, you’re still expected to put the crown on, get ready… look pretty.” But, she added: “I wanted to come back home. I wanted to come and go straight to work.”

She is now back and is self-isolating for one to two weeks until she can return to work as a doctor at the Pilgrim Hospital. “There’s no better time for me to be Miss England and helping England at a time of need,” she told CNN.

Mukherjee, who shifted from Kolkata at the age of 8, specializes in respiratory medicine. Invited to be an ambassador for several charities, she had taken a break from her medical career briefly. She was in India at the beginning of March for a community charity. She also visited Africa, Turkey, Pakistan, and other Asian countries.

source: http://www.indianexpress.com / The Indian Express / Home> Coronavirus Outbreak / by Express Web Desk / New Delhi / April 07th, 2020

Anandibai Joshi: All about the first Indian female doctor with a degree in western medicine

Anandibai Joshi, who was the first female physician in India, was the first Indian women to complete her studies in western medicine from United States.

Anandibai Gopalrao Joshi, Gopalrao, the first Indian female physician, medicine in India, anandibai joshi biography, anandibai joshi life journey, women in medicine
Anandibai Joshi was the first female physician in India

Anandibai Gopalrao Joshi was the first female Indian physician. She was also the first woman in India to complete her studies in western medicine from the United States. Anandibai has a rich legacy and inspired many women to pursue the field of of medicine in India and in the United States.

Anandibai also became the first woman from Bombay presidency of India to study and graduate with a two-year degree in western medicine from a foreign country.

Anandibai’s inspiration to pursue medicine

Anandibai was born with the name ‘Yamuna’ but was later given the name anandi by her husband Gopalrao Joshi. She was born in a family of landlords and due to parental pressure, she got married at the young age of nine.

Anandibai bore her first child at the age of 14 but due to lack of medical care, the child passed away after ten days. This incident was a turning point in Anandibai’s life and she chose to pursue medicine, with the support of her husband.

Gopalrao, who was a progressive thinker and supported education for women, enrolled her in a missionary school, and later moved to Calcutta with her, where she learnt how to speak Sanskrit and English.

Gopalrao’s support for Anandibai’s education

In the 1800’s, it was very unusual for husbands to focus on their wives’ education. Gopalrao was obsessed with the idea of Anandibai’s education and wanted her to learn medicine and create her own identity in the world.

One day, Gopalrao walked into the kitchen and threw a fit of rage when he saw Anandibai cooking instead of studying. This made her even more focussed on her education.

Gopalrao took the decision of sending Anandibai to America to study medicine in utmost detail with a missionary from Philadelphia named Mrs. Carpenter.

(Source: Wikipedia)

I volunteer myself a women doctor: Anandibai Joshi

Before she went to United States, Anandibai addressed a public hall in 1883, where she expressed her dissapointment for the lack of women doctors in India. She said,”I volunteer myself as one”, in the gathering.

She had also expressed her views on how midwifery was not sufficient in any case of medical emergency and how the instructors who taught women had conservative views.

Anandibai’s journey in America

After her motivating speech in the public gathering, she expressed her views on studying medicine in America. She also stressed the need of female doctors in India and stated that Hindu women can be better doctors for other Hindu women.

Anandibai’s health had started to decline but Gopalrao had urged her to go to America so that she can set an example for other women in the country.

Anandibai was urged to apply to the Women’s Medical College of Pennsylvania but learning about her plan to pursue higher education, the Hindu society of India decided to censure her very strongly.

Anandibai was enrolled in the Women’s Medical College of Pennsylvania and completed her two-year course in medicine at the age of 19. She graduated with an MD in 1886 with the topic of her thesis being ‘Obstetrics among the Aryan Hindoos’.

In her thesis, she covered information form Ayurvedic texts and American textbooks. On her graduation, Queen Victoria sent her a message, expressing her delight.

Confusion between Anandibai Joshi and Kadambini Ganguly

There is a major confusion between Anandibai Joshi and Kadambini Ganguly, with regards to who was the first female doctor of India. Anandibai got her degree in western medicine from Women’s Medical College of Pennsylvania while Kadambini completed her education in India.

Kadambini Ganguly

Tragically, Anandibai passed away due to tubercolosis at the age of 22, before she got a chance to practice medicine.

Thus, Kadambini Ganguly was the first female doctor to practice medicine while Anandibai Joshi was the first female doctor who got her degree in western medicine from the United States.

Anandibai Joshi’s legacy in the world of medicine

Anandibai passed away due to tubercolosis at the age of 21, on February 26, 1887. Even after her death, several writers and researchers continued to write about her to raise awareness about the importance of educating women in India.

Doordarshan also based a television series on her life and American feminist writer Caroline Wells Healey Dall penned down her biography in 1888.

The Institute of Research and Documentation in Social Sciences (IRDS), Lucknow has been awarding the Anandibai Joshi Award in Medicine in honour of her contributions towards the advancements of medical sciences in India.

Anandibai Gopalrao Joshi has been an inspiration to millions of Indian women who found the motivation of stepping into the field of medicine. She created history by making huge strides so ealry in her life, in a field which required precision and extensive education.

source: http://www.indiatoday.in / India Today / Home> News> Education Today> GK & Current Affairs> Personalities / by India Today Web Desk / New Delhi / March 04th, 2020

Mamata Banerjee’s Turnabout Moment as She Leads From the Front in the Battle Against COVID-19

West Bengal CM Mamata Banerjee covers her mouth with a piece of cloth during a press conference in Kolkata, March 20, 2020. Photo: PTI

West Bengal chief minister Mamata Banerjee has come a long way on the registers of political and administrative maturity. In recent months, she led popular agitations against the Citizenship Amendment Act (CAA) and the National Register of Citizens (NRC) from the front. And now, she is leading her state in attempting to contain the coronavirus pandemic. In this process, she is reinforcing the goodwill of her admirers and receiving praise from her detractors – remarkably even among supporters of the Communist Party of India (Marxist) [CPI(M)].

This could well turn out to be a critical juncture for the Trinamool Congress (TMC) chief.

Of course, Mamata is not the only chief minister providing such leadership in the present crisis. The chief ministers of Kerala, Orissa and Delhi too have admirably risen to the occasion. Still, what lends special interest to Mamata’s leadership is her transformed personality in a leadership role. The interest lies in her evolution from an opposition firebrand, a street fighter, and a somewhat unpredictable head of state, to a mature political and administrative leader. The kind of maturity that many, till recently, did not credit Mamata Banerjee with.

Last year, critics predicted an irreversible slide in the chief minister’s popularity at a time when matters did indeed look grim. The Bharatiya Janata Party (BJP), the TMC’s main adversary, won an impressive 18 of the state’s 42 seats during the Lok Sabha elections in Bengal. The Trinamool Congress’s tally slipped from 34 to 22. Public conversation increasingly veered towards the BJP stealing a march over the TMC in Bengal’s 2021 assembly elections.

Not surprisingly, the BJP’s new-found aggression rattled Mamata. The TMC chief made no bones about showing her displeasure at the sudden political inclemency coming her way. She showed her frustration in ways that, since her decades in opposition, had easily come to be recognised as part and parcel of Mamata’s temperamental persona.

Two days after the Lok Sabha results were declared, Mamata claimed 200 TMC party offices were “captured” by the BJP. By the following Monday, her party would “recover” them , the chief minister declared. In the days to follow, an enraged Mamata was caught on camera getting out of her car and hollering at men shouting Jai Shri Ram. A month on, the TMC leader ran into a fresh storm when she issued an ultimatum to Kolkata’s striking doctors, protesting an attack on one of their colleagues. Call the agitation off or leave your hostels, Mamata flatly told the agitating doctors. As she courted controversy after controversy, the BJP further dug its heels in Bengal, and the future of politics in the state looks increasingly uncertain.

The situation, however, turned as Mamata changed her style of doing politics. For one, she stopped reacting to every irritant thrown in her direction, stripping the BJP off the opportunity to attack her for her volatile temperament and erratic behaviour. Those who watch Mamata’s politics closely, attributed the behavioural and functional transformation – her measured tone, her not shunning meetings with top BJP ministers, including with the Prime Minister – to Prashant Kishor, the political strategist advising her. Her widely publicised Didi ke bolo (Tell Didi) initiative encouraged citizens across Bengal to share with their grievance about her party and government with the chief minister. As the BJP shored up a campaign against the ruling party’s corruption and ‘tolabaji’ culture, Mamata underwent a personality makeover.

The ‘new’ Mamata Banerjee seems quieter and more circumspect. This behavioural change, however, has not diluted her politics, focused on challenging the BJP government and its communal agenda. She recently called the Narendra Modi government out for its collusion in the violence in northeast Delhi. Describing the killings and arson as a pogrom, Mamata said: “The BJP government is trying to replicate its Gujarat model of riots across India, including in West Bengal.”

Over the course of 10 months, from May 2019 and March 2020, Banerjee has faced two serious challenges, one political, and the other medical. The serious challenge arising from the BJP-sponsored CAA-NRC-National Population Register (NPR) agenda drove the chief minister out of Nabanna, her administrative headquarters. She led huge marches in the streets, walking a tightrope between her responsibilities as head of state, and her opposition to the Narendra Modi government.

PM Narendra Modi and West Bengal CM Mamata Banerjee. Photo: PTI

After meeting the prime minister at Raj Bhavan, which Mamata described as part of her “Constitutional responsibility”, she joined anti-CAA protesters who were sitting outside in a dharna. She stayed away from the anti-CAA protests at Park Circus, while ensuring facilities like drinking water were provided by the Kolkata Municipal Corporation at the site.

That was two months ago.

Since then, like every other chief minister in the country, Mamata has been thrown into the midst of the coronavirus pandemic. As in the anti-CAA agitations, she is leading this battle from the front as well. The state government has adopted a string of decisive measures , ranging from enforcing quarantine and lockdown to delivering financial help to the underprivileged. Mamata did not mince words when faced with the case of the teenage son of a bureaucrat in Nabanna who initially dodged testing, and was later found to be coronavirus positive. “You can’t claim VIP status and avoid COVID-19 tests,” she sternly said .

When a second person tested positive for coronavirus in Kolkata earlier this month, the Bengal government issued a strict warning that all persons returning from abroad in recent days should quarantine themselves for a fortnight. “Persons who do not follow the advice will be liable for action, including forcible quarantining… under the West Bengal Epidemic Disease Covid-19 Regulation 2020,”  according to the police advisory.

Unlike the abstract tone and tenor of the prime minister’s two national addresses on the epidemic, Mamata explained what quarantine would mean for people. Quarantine is not jail, she emphasized. Whether or not people find comfort in that explanation is a different matter. But that, as chief minister, Mamata finds herself obligated to reassure and comfort citizens on her watch, has struck a chord among the people of Bengal.

“Remember, quarantine does not mean jail. Quarantine simply means to keep oneself healthy, staying in a separate space, where many people don’t have access. Those there, other than them, no outsiders,” she said . Given the appalling state of quarantine facilities that have come to light across the country, Mamata assured people that facilities at the “brand new building” in New Town would meet the acceptable standards: “Bathrooms, beds, food … just like home. That is quarantine, like your own home. Not a jail, [you] must remember this.”

The coronavirus awareness campaign she initiated has reached villages as well. Block and district officials have been instructed to ensure that outsiders entering villages should quarantine themselves for the requisite amount of time.

Alongside these measures, the government has decided to distribute foodgrains for free for six months among 7.85 crore people eligible for subsidised grain through the public distribution system. Government employees now giving up their leave will be entitled to special leave around Durga Puja, while at least 50% of government employees will work from home on a rotational basis.

Additionally, Mamata has urged the Centre to send required medical kits to the state, arguing : “We have been repeatedly asking for testing kits. We have now 40 kits. I know ICMR (Indian Council of Medical Research) is saying that there is no dearth of kits, but that supply must reach us.” In an innovative move, the chief minister also identified the Calcutta Medical College  as a facility for exclusively treating coronavirus patients. The state government is preparing a 3000-bed isolation ward in the hospital.

In the short-term, such moves by the Bengal chief minister and her counterparts in other states bodes well for those who are put most at risk by the pandemic. In the long-term, one has to wonder whether nuanced policies like these might also help Mamata Banerjee regain lost ground and stem the onslaught of Hindutva, that other viral force in Bengal’s contemporary political culture.

source: http://www.thewire.in / The Wire / Home> Opinion> Politics / by Monobina Gupta / March 26th, 2020

Waltz of the Flower

As one of a handful of Baghdadi Jews living in Calcutta and perhaps the oldest of the lot, her story is not her story alone

Flower Silliman / Courtesy: Jael Silliman

She is called Flower but there is nothing seemingly fragile about the 90-year-old woman. She is tall with broad shoulders. Her skin is smooth and barely lined. “I have seen a lot of history — 70 years of that century and 20 years of this,” smiles Flower Silliman, one of the 30 Baghdadi Jews still living in Calcutta.

We are at Flower’s residence on Moira Street and though it is just her and me in the room, the many Frida Kahlo portraits on the walls, on the sideboard, form our greater audience. She is in an easy chair, resplendent in a green floral nightgown. The sun is peeping through the netted windows of her living room and lighting up the red-oxide floor. Her green-gold eyes twinkle with memories and she adds in clipped English, “I have five children, 13 grandchildren and 12 great-grandchildren.”

Flower’s parents were born in Calcutta; it was her grandparents — both sets — who came from different parts of Iraq.

The paternal grandparents arrived in Calcutta from Basra. Her grandfather, a petty trader, would bring fezzes — short cylindrical peakless caps, sometimes with a tassel attached — from Baghdad and sell them all over the Far East and return home with spices. Says Flower, “All Muslims would wear fez caps then. In India, my grandfather would stop in Bombay and Calcutta. Otherwise he went to Penang, Jakarta, Singapore.”

Flower’s grandfather got married when he was 50. Flower dwells awhile on his fabled good looks — six-foot tall, blue eyes and so on — but it is his 16-year-old wife, Flower’s grandmother, who seems to have made a more enduring impression on her. In fact, Flower refracts her own story and the story of her entire family as it were, through the personas of her two grandmothers. The descriptions, the attention to detail, the emotions attached are so overwhelming that by the time the interview is over and I have taken my leave of her, I realise that I don’t even know the names of the two grandfathers.

Flower says, “My grandmother’s name was Farah. Farah is joy in Arabic. My name is Farah too. But I was born in the heydays of the Raj, which is why everything had to be anglicised. I became Flower. My two brothers had Arabic names but they were called Charles and Eric.”

Flower cannot stop talking about Farah. Farah lived a colourful life. Farah travelled to the Far East. In the Far East, Farah moved from one Jewish home to another with her husband. Farah had a beautiful Chinese shawl embroidered with red roses. Farah and her husband smoked the hookah. Flower is so into the Farah-tales that it would be rude to turn focus back on her own life. Says Flower, “My father was born in Singapore in 1899 and my aunt in Penang. This is all in a diary and I have it with me. It is written in Hebrew…”

As the story goes, Farah and her husband decided to settle down once the children reached school-going age and the city of their choice was Calcutta, where Baghdadi Jews were very many in number and mostly into indigo or opium trade.

Flower’s maternal side had their roots in Al Uzair. On that side of her family, until a couple of generations ago, most of the men were trained to be mohels, or priests. “Mohels are people who perform circumcision and other special religious duties. They were trained and sent out to places where the clergy was needed to read the prayers or maintain the synagogues,” says Flower.

Her maternal grandmother’s name is Simha. Most of Simha’s brothers went to Shanghai and one of them went to Poona [now Pune] to work as a steward in the home of Jewish businesswoman, scholar and philanthropist, Flora Sassoon. When Flora fell ill and someone was needed to nurse her, Simha was asked over. Says Flower, “When she died, she left some money for Simha to get married and that is how she and her brother arrived in Calcutta, where she got married soon after.”

Flower recollects how Simha would sew clothes and women’s garments. She says, “My mother experienced poverty. But Jews never had to beg. We looked after our poor.” The Jewish Girls’ School in Calcutta was set up by the Jews and everything from education to clothes to food was provided free of cost. Flower’s mother, Miriam Shooker, was among the first batch of students and she eventually went on to become a nursery school teacher.

In the early 20th century, there were around 5,000 Jews in the city. Everyone lived in close proximity to each other with the majority settled near Maghen David Synagogue in Burrabazar. The Jewish para extended to Bentinck Street, Grants Lane, Bowbazar, Phears Lane, Chaatawali Galli, Marquis Street, Kyd Street, Sudder Street and Middleton Row.

Everyone in the community knew each other, and frequented the same synagogues and clubs. The Judean Club in central Calcutta was a world unto itself. In her time, Flower and her friends would play badminton and housie here, dance and listen to music. Flower mixes her reminiscing with footnotes — Yom Kippur is the day of atonement; Hanukkah is the festival of lights, much like Diwali; traditionally Jews never mix meat and milk; Bar Mitzvah is like the thread ceremony and so on and so forth.

Flower’s parents, Miriam and Elias Abraham, married in 1920. Elias worked at the Calcutta port as a measurer of jute and gunny. Flower was born on April 20, 1930, at the Eden hospital — now part of the Calcutta Medical College. She says, “It was a British hospital and in those days it was the hospital of choice for Jews, Christians and Anglo-Indians.” By that time, both her grandfathers had passed away.

And then World War II broke out. Says Flower, “Jewish refugees came into our lives because they were relatives of someone or the other. When the Japanese entered Burma [now Myanmar], the Jews there had to leave. Some came here by ship. Some trekked via Chittagong and Assam to Calcutta. And many of them died on the way. A lot of these displaced people came to live with us. They had nothing. They slept on the sofas, on the floors, and they remained with us till they got a job.”

Flower looks out of the window, possibly remembering what her nine-year-old self had witnessed. As the Japanese came closer, they bombed the docks and Kidderpore. There was no casualty but it did scare the life out of people. Flower, along with her brother and mother, was sent away. The little girl found herself in Delhi for a few months, far from the comforts of home and fond things such as baklavas and Turkish Delights and cheese samosas.

At 13, Flower was sent away again — this time as a boarder to a school in Nagpur. This was where she first got a taste of a non-Jewish environment. She says, “From having only Jewish friends, now I had no Jewish friends, only Anglo-Indian and Christian ones. I was the only Jewish girl. I started to eat non-kosher food. I started going to church with my Christian friends.”

Her next stop was Delhi, where she joined Lady Irwin College — the director, Hannah Sen, was a Jew from Calcutta. Almost everyone around her now was a Hindu or a Muslim. Soon Flower found herself celebrating Guru Nanak Jayanti, Holi, Diwali. She says, “It felt like I had lived in a cocoon and now suddenly I was a butterfly. I loved Frank Sinatra and I had taken records with me. I told my friend Sheila to play them. She made a deal with me. If I listened to Pankaj Mullick, she would listen to Sinatra.”

After graduation, Flower returned to Calcutta and started teaching at St. Thomas’ School, Kidderpore. At 21, she married a Jewish man whom she had met at the Judean Club. He came from a family of foreign exchange brokers and was also the direct descendant of Shalom Aharon Obadiah Cohen — the first recorded Jewish immigrant who arrived in Calcutta in 1798. Says Flower, “Calcutta had changed completely. Suddenly the streets were full of people in khaki. We had never seen planes before and now there were planes on Red Road. Calcutta was a big war base. In 1939, the British army arrived and by 1942, there were American soldiers too. Many of them came to our houses for festivals and Friday night dinners. They got to know the families and started dating their daughters. Many fell in love with these soldiers — some of whom were Jews — and once the war was over most left. The exodus started.”

And then came a time when entire families started migrating. In May 1948, Israel was officially declared an independent state and many Jews shifted from Bombay and Calcutta. The Israeli government even airlifted people. In the meantime, a newly independent India was rife with a variety of rumours. Flower says, “There were rumours that Hindi would become the national language, everything would become Indianised. Jews felt they would not do so well in an independent India and were frightened. Jewish business firms such as the National Tobacco Company and the jute mills at Agarpara were sold out. People left. By 1955, we lost half the Jewish community.”

Flower too left the city but later, in 1975. She moved to Israel, where she set up a restaurant of kosher Indian food which she called The Maharaja. “Every evening, I would wear a sari and go to the restaurant. People would call me Maharani,” she recalls with a laugh. She eventually moved to the US for a couple of years before returning to India for good in 2008.

Mid-conversation, one of Flower’s neighbours enters the room. Flower asks her to check her computer’s Internet connection. The neighbour, a Mrs Ghosh, corrects Flower. She says, “It is not a computer, it is an iPad.” The nonagenarian replies, “Everything these days is a computer; even your phone is a computer. One of these days, we will be asked to swallow a tablet and we will all be computerised.”

And I thought to myself — not you, Flower. Never you.

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Home> People / by Manasi Shah / April 05th, 2020

Jamsetjee Framjee Madon — a pioneer of Indian cinema and champion of Calcutta’s poor Parsis

In Pioneering Parsis of Calcutta, Prochy N. Mehta chronicles the little-known lives of the first Parsis who came to the city during British rule.

Jamsetjee Framjee Madon | Niyogi Books | Prochy N. Mehta


Jamsetjee Framjee Madon was one of the pioneers of Indian cinema. He owned over 120 cinema halls at one time. Jamsetjee was very modern in his outlook and a reformist in his religious views. He was one of the first trustees of the Late Ervad D.B. Mehta’s Zoroastrian Anjuman Atash Adaran and was a supporter of the young Bella, to whom he left Rs 5,000 in his will to help her in her legal case. 

Jamsetjee Framjee Madon was born on 27 April 1856 in a very poor family in Bombay. The family being truly indigent, he had to seek employment at the tender age of twelve as a scene-shifter in the dramatic company of Cooverji Ratanji Nazir, at a salary of Rs 4 per month. The young lad got enamoured of the stage, copying the roles of the heroes and heroines of the plays and later playing small roles on stage. Since he had a good voice, he could act the part of a courtesan and became quite popular. 

He then joined Elphinstone Natak Company which toured the country and in 1875, on an auspicious day, he came to Calcutta with this touring company. Some time later he took over this company in partnership with a few others. This company prospered, thanks to his experience, far-sightedness and hard work, and made Calcutta its permanent home. Simultaneously he started dealing in auctioned goods and in 1885 started another business as wines and provision merchant at 5, Dharamtalla Street. His honesty, perseverance and gentle nature soon attracted important Indian customers and the shop became extremely popular among government officers and Englishmen. There were seven branches of this store including those at Calcutta, Darjeeling, Lucknow and Delhi. 

In 1903, at the time of the British invasion of Tibet, Jamsetjee opened food and provision stores all the way from Siliguri to Chumbi and assisted the armed forces in supplying food and provision to soldiers even at great personal risk. The British officers greatly appreciated Madon’s fortitude and bravery as a result of which Jamsetjee was given a large contract of supplying the army during the wars in Kabul. He carried out his work at great risk and in significantly difficult circumstances, to the utmost satisfaction of the military officers. In appreciation of these services, the British Government awarded him the Order of the British Empire in 1918.

On 30 March 1919, the Calcutta Parsis felicitated Jamsetjee at a function under the chairmanship of the trustee of the Anjuman, Seth Edulji Pestonji Guzdar. Madon Seth was congratulated on obtaining the Order of the British Empire and praised for his simple life, gentle nature, honesty and kindness and for his munificence towards the poor. 

Seth Jamsetjee, like the other Parsi elders of the community, had a generous nature and was always anxious to assist the needy. Having grown up in poverty he felt for the poor and gave employment to many poor Parsi youngsters in his cinemas and shops. He was thus responsible for the livelihood of a large number of Parsi families. Many of his charities were done secretly and it can be truly said of him that his left hand was not aware of what his right hand gave away. It was estimated that such secret handouts averaged Rs 5,000 every month. This help was not restricted to Parsis exclusively; all the needy benefitted from his charity, irrespective of caste or creed. Many institutions of public welfare owed their existence and prosperity to him. 

In 1907 Seth Jamsetjee took up the mission of building a second Tower of Silence in Calcutta. Starting a subscription list with his personal donation of Rs 5,000, he went from house to house and managed to collect a lakh of rupees from the Calcutta Parsis. It was due to his influence that the municipality gave a grant of Rs 27,000 towards the purchase of land for this second Tower of Silence, and he personally bore the expenses of Rs 20,000 towards building it. Seth Madon’s efforts and far-sightedness resulted in bringing together the priests of the Kadimi and Shahanshai sections for the first time in Calcutta. The Kadimi priests performed the religious rites at the time of the foundation and the Shahanshai priests performed the consecration rites. 


In 1912, at the time of the building of the Mehta fire temple, Seth Jamsetjee provided his devoted services. The building attached to the fire temple used as a residence for the priests was built and donated by him and his family to the Atash Adaran. He presented several chandeliers, lamps and carpets for the main prayer hall and also many tables, chairs, large cooking utensils for general use. This generous-hearted Parsi also had the foresight to start funds with initial personal donations to take care of the future maintenance of the Atash Adaran.

Seth Jamsetjee was deeply sympathetic towards the poor Parsi families in Calcutta. In Dharamtalla Street he built Khorshed Madan Mansion at an expense of Rs 1,10,176 in memory of his beloved daughter, Mrs Khorshed Rustomji Maneckji Mehta, who had died on 14 January 1920 during the lifetime of her parents. Seth Jamsetjee donated this house to the Anjuman on the understanding that the flats be rented out to the poor and middle-class Parsi families of Calcutta at a low rent. Further he set aside a sizeable fund for the maintenance of this building. 

He also secured the land for the ‘aramgah’ for the Parsis in Darjeeling and donated funds towards its maintenance. On several occasions he gave donations to the Anjuman on behalf of his friends and relations. Seth Jamsetjee organised several ‘benefit nights’ in many of his cinema houses to collect funds for charities for Parsis as well as other communities. 

In 1923, the British Government honoured him with the award of Commander of the Order of the British Empire in recognition of his many cosmopolitan charities. 

About twenty years prior to the advent of cinema on a commercial basis in India, Seth Jamsetjee experimented with this new media and perfected it for public viewing. He was truly a pioneer of the cinema industry in India. 

The young lad of twelve, who started his career as a scene-shifter at a salary of Rs 4 per month, aided by some lucky turn of events and greatly due to his own inherent ability, perseverance and hard labour, became, in the evening of his life, the owner of a hundred cinema houses in India. Seth Jamsetjee’s life is a shining example of Parsi adventure and philanthropy. Upon his death which took place in Calcutta on roz 22 Govad, Mah 10 Dae, Year 1292 y.z., corresponding to 28 June 1923, Calcutta lost a true benefactor of the poor. 

This excerpt from Pioneering Parsis of Calcutta by Prochy N. Mehta has been published with permission from Niyogi Books.

source: http://www.theprint.in / The Print / Home> Page Turner> Book Excerpts / by Prochy N. Mehta / April 04th, 2020