Kolkata loses its favourite raconteur

Kolkata :

The morning durbars under the portico of the delightfully eccentric Fairlawn Hotel on Sudder Street have just become history. The ‘Duchess of Sudder Street’, as Vi (Violet) Smith was popularly called, will not be holding ‘court’ there anymore. And legions of her fans, as well as the galaxy of loyal customers of her hotel, will no longer be regaled by her stories about the Kolkata of yore. Smith passed away at her first-floor quarters of Fairlawn Hotel on Saturday at an age of 93.

The stories she narrated were as eclectic as her personality, and the hotel itself. One of her favourites was how Shashi Kapoor (“drop-dead gorgeous he was,” recalled Vi) met and fell in love with Jennifer Kendall. In the spring of 1965, the Kendals, who used to own a mobile theatre company called ‘Shakespeareana’, were putting up at Fairlawn and Prithvi Theatre (owned by Shashi’s father Prithviraj Kapoor) also happened to staging shows at New Empire at the same time. Jennifer had gone to watch a show there and it was “love at first sight” for Shashi, who courted Jennifer, joined ‘Shakespeareana’ and eloped with her to Bombay to get married after her father Geoffrey refused permission for marriage. The couple spent their honeymoon in Room No 17 of Fairlawn, and Vi named it ‘The Shashi Kapoor Room’.

Vi was also very fond of telling visitors about Patrick Swayze who stayed at the Fairlawn while shooting for ‘The City Of Joy’ in 1991. “He was very nice and soft-spoken. He had told me about the ranches he owned in California and New Mexico, about his wife Lisa and his childhood,” the coiffed and elaborately made-up Vi told this correspondent a couple of years ago. She was also an encyclopedia on the Calcutta of the glorious past.

Violet Smith was an Armenian whose grandfather escaped the genocide of the Armenians by the Ottomans in Turkey in 1915 and reached India through Iran and Afghanistan. Violet married Edward Frederick Smith, a British army officer, in 1944 and moved to England later, but returned in 1962 to take over the affairs of Fairlawn. Violet’s mother Rosie Sarkies had bought the property from two British ladies in 1936. The sprawling structure that houses the hotel is 231 years old now, having been constructed by one William Ford in 1783.

Vi lent her personality to the hotel she dearly loved. Stepping in through the iron gates of the hotel is like entering a green oasis set amidst the bustle of the city. A profusion of plants, mostly palms, provides an immediate soothing experience and leads to the portico where, every morning, the redoubtable Violet used to hold court. Not just the abundance of potted plants, the colour of the walls, linen, wicker and cane chairs, settees and stools, many of the draperies and even some of the crockery are green or have splashes of it. It’s Violet’s favourite colour. “Green symbolizes freshness, vibrancy and reminds one of nature,” she used to say.

Other regular guests at Fairlawn that Vi would often talk about were filmmakers Ismail Merchant and James Ivory, actors Melvyn Douglas, Penelope Cruz, Julie Christie, Felicity Kendal (Jennifer Kapoor’s sister) and Om Puri, writers Gunter Grass, Eric Newby, Dominique Lapierre, Ian Hislop and Glen Balfour-Paul, British playwright Tom Stoppard, TV presenters Dan Cruikshank and Clive Anderson, and even Gordon Matthew Thomas Sumner (Sting, for the uninformed)!

And all have paid glowing tributes to the hotel and its wonderfully charming owner Violet Smith. Lapierre went to the extent of wishing he loses his passport when he stays at Fairlawn the next time so that he can stay on at the hotel forever. Newby calls Fairlawn his “most favourite hotel”. Vi would often say her motto was to “receive tourists as guests and send them away as friends”. For her innumerable friends all over the world, Fairlawn, and Kolkata, will never be the same without Vi.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Cities> Kolkata / by Jaideep Mazumdar, TNN / September 22nd, 2014

The Husain on the wall

The wall of the Azad Hind Dhaba in Kolkata adorned with M.F. Husain’s Gaja Gamini. Photo: SUSHANTA PATRONOBISH
The wall of the Azad Hind Dhaba in Kolkata adorned with M.F. Husain’s Gaja Gamini. Photo: SUSHANTA PATRONOBISH

The now-famous painting, titled Gaja Gamini (one with a walk like an elephant), depicts a dancing woman, in a bright red background, while a white elephant looks on with its trunk held aloft

The memory of seeing M.F. Husain colouring one of his sketches back in 1999 is still fresh in the mind of Madan Sharma, one of the owners of Azad Hind Dhaba, a popular eatery in south Kolkata.

One fine afternoon years back, Mr. Husain walked into the dhaba, which he frequented during his visits here, and all of a sudden started adding colour to the black and white sketch on the wall that he had drawn three years before.

“The experience made me speechless,” Mr. Sharma said, on the eve of the 99th birth anniversary of the iconic painter.

The now-famous painting, titled Gaja Gamini (one with a walk like an elephant), depicts a dancing woman, in a bright red background, while a white elephant looks on with its trunk held aloft. Mr. Husain arranged a private show of his film Gaja Gamini at Azad Hind in 1999.

Sitting at the cash counter with the painting behind him, Mr. Sharma fondly recalled his memories of the famous artist. He remembers Mr. Husain as a “moody and humble person” who would come to the restaurant and sit quietly in one corner sipping his favourite “kadak chai [strong tea].”

“He did not talk much. But sometimes told me what kind of food he wants,” Mr. Sharma said. He was initially apprehensive of talking to an artist of Mr. Husain’s calibre, but eventually they became friends. “Mr. Husain could mingle with adults and children with equal ease. He was totally devoid of arrogance.” Whenever schoolchildren spotted him at the eatery, they flocked to him and asked for autographs. The world-famous painter complied with their demands with a smile and even drew them impromptu sketches.

When asked about the controversy that erupted in 2006 over Mr. Husain’s depiction of Hindu gods and goddesses, Mr. Sharma said the thought of removing the painting never entered his mind. “Nobody asked me to remove the painting even when the controversy erupted.”

Mr. Husain eventually had to leave the country under pressure from Hindu nationalist forces. He passed away in London in August 2011.

Meanwhile, the dancing woman with an elephant walk lives on happily on the central wall of Azad Hind Dhaba, in the company of numerous Hindu gods and goddesses.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> Art / by Soumya Das / Kolkata – September 17th, 2014

Oldest toy train chugs through British garden

London :

The ‘toy train’ chugging up a serpentine track through the Darjeeling hills is almost an image out of a fairy tale. But for Adrian Shooter the first look at the scene triggered a life-long love story that made him buy an entire locomotive to run in his London garden.

The world’s oldest surviving Darjeeling-Himalayan Railway (DHR) locomotive is back on track, thanks to Shooter. Smitten by the magic of a ride on the DHR (now an Unesco world heritage property) a decade and a half ago, Shooter, who retired as chairman of Chiltern Railways, bought the DHR locomotive — model number 778 — built in 1889 by Sharp Stewart and Company, Manchester, to restore it to perfect
condition.

The Indian government had sold the locomotive to Hesston Steam Museum in 1960, not realizing what its worth would be 50 years later when it was declared a world heritage by Unesco.

Shooter has also bought an Ambassador that runs by the train when it chugs through his garden to give it a feel of being in Darjeeling. He shipped the locomotive in a container from US to the steam rail workshop in Tyseley, Birmingham, where he restored it. The tracks laid in his garden over 1.5km is in the form of a loop just like in Darjeeling.

He has also built a station that looks exactly like the original Sukna station, besides laying a pathway that crosses over the tracks, exactly the way it is in Darjeeling.

In an exclusive interview to TOI, Shooter said “I bought the locomotive from the museum in Indiana, US, in 2002. It had been bought by a private individual, Mr Donnelley in 1960. He died in 1975 and it passed on to the museum after that. He was the boss and major shareholder in R R Donnelley Co, which is a very large printer and publisher in Chicago.”

He added, “I have several volunteers who help me operate the loco and we give rides to invited guests. We usually have 100-150 and do this three or four times a year. The loco is fully functional and is in excellent condition. Last winter it had a 10-year overhaul when, by law, the boiler has to be taken off the chassis, carefully examined and repaired as necessary.”

“The loco still has the original 1889 boiler and is, by at least 50 years, the oldest loco boiler in use in the UK. There are a couple of older ones in India. The reason that it has lasted so long is that it is made of wrought iron, which is much more corrosion-resistant than steel. It was obviously very well looked after during its 70-year use in India,” Shooter said.

Shooter will be in Delhi in February at the invitation of Mark Tully to speak at the Indian Steam Conference. He said, “Darjeeling Railway is very special because it climbs so high (over 7000 feet) through fantastic countryside with wonderful people. Many Britons had ancestors who lived, worked or visited Darjeeling. I still regularly come across people who went to school in Kurseong or Darjeeling. The engines themselves are of a sound design that have shown themselves to be more than capable on very steep and curvaceous railway tracks.”

Shooter, however, said he has no plans to return the locomotive to India. Britons will get a chance to ride on the train as it makes a special appearance at the North Pennines on September 26-28.

South Tynedale Railway at Alston is hosting Shooter’s train — Locomotive No. 19 — for an Indian-themed weekend of food, music and films. People will be able to ride on the train, dress like a local from Darjeeling and enjoy eastern Himalayan cuisine.

Locomotive No. 19 was withdrawn from the Darjeeling-Himalayan railway service in 1960 and, privately purchased, made its way to Indiana. In 2003, it was taken across the Atlantic to be restored by Tyseley Locomotive Works, Birmingham, for Shooter. At the same time, two replicas of DHR carriages were constructed at the Boston Lodge Works of the Ffestiniog Railway. These and the locomotive run in Adrian Shooter’s private garden railway.

India at present has 14 original DHR locomotives in working condition and 10 others on display at museums. Shooter’s train is the oldest of all DHR trains. Currently, only five DHR locomotives are privately owned, four of which are in Assam. The 778 is the only model outside India.

Indian railway expert Rajesh Agrawal said, “In the 1960s, India was getting rid of a large number of locomotives as we had more than we required. One such model was the 778. Nobody knew then that the DHR would become such a prized object. People also thought the 778 was not in working condition as it was 71 years old. A locomotive generally retires after 45 years.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Kounteya Sinha, TNN / September 19th, 2014

IITians create solar-powered cold storage with no running cost

Kolkata:

Young IIT engineers have come up with an affordable solution to the wastage of agricultural produce by developing a unique solar-powered cold storage system which works at almost zero running cost.

Developed at the Science and Technology entrepreneurship Park (STEP) of IIT-Kharagpur by mechanical engineering student Vivek Pandey and his team, the micro cold storage system has been successfully tested in a Karnataka farmland.

“It is a first of its kind product developed anywhere in the world as there are no running costs for the farmer and works on clean and sustainable technology for all 12 months. We have even applied for four patents for technologies used in the product,” Pandey said.

Under the banner of Ecofrost Technologies, the young graduates are now ready to move out of the campus and start a manufacturing and assembly unit in Pune next month.

Using a uniquely designed thermal storage methodology that controls compartment cooling in tandem with regular cooling, micro cold storage helps increase the shelf life of agricultural produce using solar panels of 2.5 KW-3.5 KW.

“The power generated is sent directly on to the compressor which can run at various speeds to adjust itself to the cooling demand. Instead of batteries, the system has a thermal storage unit which can store power for more than 36 hours to provide power in case there is no sun during cloudy or rainy weather,” the young innovator said.

Existing solar-powered units run on batteries which need to be replaced after 2-3 years making the running cost very high for farmers. It is estimated that every year India loses around 30 per cent of food production due to wastage and contamination.

“We want to provide farm-level solar cold storages in areas that lack access to grid connected electricity. By increasing the shelf life of agriculture produce, it will improve farmers’ livelihood by reducing losses and allowing better price realisation,” Pandey said.

Meant for horticulture produce, the micro cold storage system has a capacity of 5 metric tonnes and a price varying between Rs 5 to 6 lakh.

“We have started getting orders and will start a manufacturing and assembly unit in Pune next month. We have a target to manufacture 20,000 such cold storage units in the next five years,” the IITian said, adding that they are looking to raise around Rs 5 crore from venture capitalists.

Their promising innovation has won the first prize of Rs 10 lakh in the national university competition ‘DuPont: The Power of Shunya’.

Besides selling directly to farmers, they are also trying to create village-level entrepreneurs who will act as nodal points for cold storage in mandis where any farmer can store his produce at a fixed cost.

source: http://www.ibnlive.in.com / IBN Live / Home> India / by Press Trust of India / Kolkata – September 18th, 2014

Kolkata dog is a finalist in PETA’s cutest indian dog alive contest

Kolkata :

After sifting through hundreds of photographs of lovable Indian “community dogs” – as well as their rescue stories — the judges finally selected Bhutu, whose guardian is Samarpita Sil a city resident, became the finalist in People for Ethical Treatment of Animals (PETA’s) third annual Cutest Indian Dog Alive contest.

Samarpita rescued and adopted Bhutu when she saw him sleeping on the roadside. “One rainy day, I saw a little dog. He was very weak and ill. … I took him home and now he is like my kid”, says Samarpita.

“Bhutu is a lucky dog, and he has returned the favour of being rescued by bringing much love and joy into Samarpita’s life”, said PETA CEO Poorva Joshipura. “All rescued dogs are already winners because their lives were saved by people who love them for who they are.”

The lucky pup will receive a “100% Desi Dog” doggie T-shirt, and his guardian will receive a “My Dog Is a Rescue” T-shirt, as well as an autographed copy of PETA India founder Ingrid Newkirk’s book The second- and third-place winners will also receive prizes, and all three top placers will appear in an upcoming issue of Animal Times, PETA India’s magazine for members.

source: http://www.timesofindia.indiatmes.com / The Times of India / Home> City> Kolkata / TNN / September 16th, 2014

An indentured worker’s journey

This new contribution to diaspora studies maps a woman’s tumultuous passage from India to West Indies

COOLIE WOMAN — The Odyssey of Indenture: Gaiutra Bahadur; Hachette Book Publishing India Pvt. Ltd., 4th & 5th Floors, Corporate Centre, Sector 44, Gurgaon-122003. Rs. 599.
COOLIE WOMAN — The Odyssey of Indenture: Gaiutra Bahadur; Hachette Book Publishing India Pvt. Ltd., 4th & 5th Floors, Corporate Centre, Sector 44, Gurgaon-122003. Rs. 599.

Usha V.T

Gaiutra Bahadur’s Coolie Woman is an attempt to recreate the journey of an indentured woman labourer — a woman from India —who travelled to the West Indies and eventually to the United States. Diaspora studies have often pointed out that a wide array of social and economic deprivations drove villagers from their homes to travel to faraway lands. And as this author reiterates, the practice of imperial capitalism destroyed traditional livelihoods, while at the same time colonialism created new routes for moving across the subcontinent, in several guises.

The author justifies the use of the term coolie , despite its derogatory connotations, at the very outset. In fact, she devotes a whole chapter to a discussion of the term and its use in the current context. “As it turns out, mystery darkened the lives of many women who left India as coolies. The hind of scandal was communal. Some historians have called indenture “ a new form of slavery,”

In many ways it was: once in the sugar colonies, coolies suffered under a repressive legal system that regularly convicted more than a fifth of them as criminals, subject to prison for mere labor violations, which were often the unjust allegations of exploitative overseers.”

What makes the work interesting is the autobiographical nature of the narrative. The protagonist is the author’s great grandmother Sujaria, whose life and adventures are the occasion to map the tumultuous journey of the woman from her home in India to the West Indies. With the help of historical records, legal documents and tales of indenture, Gaiutra Bahadur attempts to recreate her grandmother’s historic journey. She says: “What I found was a revelation. I once thought that my great grandmother must have been an exception .” And a little later we read: “In which category of recruit did my great grandmother fall? Who was she? Displaced peasant, run away wife, kidnap victim, Vaishnavite pilgrim or widow? Was she prostitute…”

The sexuality of the women and her exploitation in terms of her body both during the journey to the new land as well as in her survival in the land of her slavery through sexual negotiation takes prime place in some of the seminal chapters of the book. They were exploited physically and their reputations were then “dismembered”. This was done systematically both by the men who exploited them as well as by the men who had no sexual stake in the women. Though it was seen that gender imbalance caused sexual chaos in the colonies among the indentured labourers and their functionaries, the women were made to suffer not merely physical agony but mental torture through character assassination. Some of the comments and statements that Gaiutra cites are from public figures held usually in high regard: Even men without a sexual stake in the women cut them to pieces. The Reverend C.F Andrews, indenture’s greatest critic, rued the women he met in Fiji. “The Hindu woman in this country” he reported, “is like a rudderless vessel with its masts broken being whirled down the rapids of a great river without any controlling hand. She passes from one man to another and has lost even the sense of shame in doing so ”.

Of course none of the opinionated colonisers bother to talk to the women or ask for their version of the reality they face on an everyday basis for survival. Yet they make their judgements on the character of the women vocal and the woman as always is silenced and humbled for circumstances beyond her control.

In 1906, the author’s great grandmother and her new born arrived at Rose Hall Plantation, on Canje Creek. She did no field work there as the narrator informs us… “Dey send her, and she cyaan make it in the field, because her feet was soft …” Instead Sujaria was assigned to be a child minder. This was the job that Jamni, the woman at the edges of the Nonpareil uprising, either as kept woman or rape victim, reportedly had. And this was the job that my great grandmother was given. Perhaps this was because she had a baby to support alone and her caste background had made her useless in the fields. Or perhaps, she possessed a pretty woman’s advantage. (p 148)

Gaiutra explains how caste class and gender are factors that develop new meaning as the woman moves from her own land through along, perilous journey into a new world where her survival depends on her capacity to negotiate with the multiple forces that are decisive to her existence. Her sex, though her weakness, now becomes a major factor that she can utilise for negotiating her survival. In a way of life, that is exploitative, survival become the centre of the labourer’s existence and the author explains how it is achieved in individual cases.

The narrative is supported with documents such as legal references, captains’ or doctor’s logbooks from the ships, police records, administrative reports, photographs etc.

These neglected narratives are footnotes to colonial history and women’s history in particular. It becomes her middle passage:

middle-passaged

passing

beneath the coloring of

desire

in the enemy’s eye

a scatter of worlds and bro

ken wishes

in shiva’s unending dance

(Arnold Itwaru, “We Have

Survived”)

With an astute eye for detail Gaiutra Bahadur, trained as a journalist, unearths sumptuous information buried in documents and records hitherto less-explored areas pertaining to women in indentured labour amounting to sexual slavery, and the odyssey of indenture is presented in a nonchalant manner. However having said that, the documentary nature of the work makes it a little tedious and uninteresting at times over several pages.

The author’s self-conscious struggle to motivate the reader to share individual experiences — albeit factual, in places slipping into a fictional style — is sometimes a bit laborious and too obvious. Gaiutra Bahadur’s Coolie Woman traces the story of how one woman’s experience represents an entire spectrum of woman’s experience: the book is a veritable source book for further research in diaspora studies.

source: http://www.thehindu.com / The Hindu / Home> Features> Book Review / by Usha V.T / September 16th, 2014

Lost and found: Seven fascinating stories of Calcutta’s Jewish past

The story of the Jews of Calcutta tends to always be a story about disappearance. There are only about two dozen Jews left in the city where once they were thousands and that makes it a poignant story of loss – of shuttered synagogues without services, a Jewish Girls School without a single Jewish girl, and buildings with names like Ezra Mansion but no Ezras in them. Nahoum’s Bakery and its plum cakes are about the only real memory most Calcuttans have of their city’s Jewish history. It makes for a melancholic nostalgic story both about the vanishing Jews of Calcutta and the city’s fading cosmopolitan charm.

But Jael Silliman says when she started archiving the city’s Jewish history she did not want it to be a lament about how few Jews were left in the city. She wanted to make a different point– “it is that the time we were here was full, was good and both we and the city benefited.”

JewishCalcutta.in is less a stuffy museum of that 230-year old history and more of a digital album that tells the story through snapshots and film clips and even recipes, through marriage contracts found in auction houses and wedding dresses stored away in attics in America. Silliman conceived of the idea, secured a Fulbright-Nehru fellowship and Jadavpur University’s School of Cultural Texts and Records came on board to help create the digital archive.

“My notion of the Jewish community was from my granny and my great-grandma and they were very conservative women, very inward-looking, not politically inclined. Fuddy-duddy kind of people,” she laughs. “I thought their worlds were very limited.”

But she found to her astonishment, her community was anything but limited. She encountered the first person in India to do magic on the radio. Silent movie stars. The first mother and daughter Miss India pair. The first woman to cut a record on disc in India.

Communists and Congressis. A woman asking to be a plaintiff in court long before even Britain had female lawyers. A woman lawyer fighting for the rights of Muslim women in purdah. The “Patton” of the Indian Army. And Jewish patrons of the Bengali Star Theatre in North Kolkata. “They loved what they called ‘gaana bajana’” chuckles Jael.

The Jews of Calcutta were mostly Arab Jews from Iraq, Syria and Yemen who came to India as traders. They prospered under the Raj in that grey area between “whites” and “blacks” and left behind grand edifices recalling that prosperity. But Jael says it’s worth remembering that because so many were new immigrants, over 40 percent of the community was poor and started at the bottom of the ladder.

In a way, she says the story of her community’s success is a story about India as well. “I think only a country like India would enable a community like this, which came for such a short time, to have the kind of impact they did,” she says. And her mother Flower Silliman says even though most of the Jews of Calcutta left in the decades after Independence — unsure of their position in the new country — there’s one thing worth remembering: “At least we didn’t vanish because of anti-Semitism. India can be proud and say that the Jews left because they wanted to leave and no one told them to go.”

The Jews of Calcutta are mostly gone but here are seven of the most intriguing stories they left behind, now saved on JewishCalcutta.in.

The Sefer Torah. Photo courtesy: www.sanjitchowdhury.com
The Sefer Torah. Photo courtesy: www.sanjitchowdhury.com

The Sefer Torah is a handwritten copy of the holiest book of the Jews usually stored in the Holy Ark of a synagogue. “We used to have 80-100 sefer torahs in the synagogue. Now we only have two. At least we have two” says Jael Silliman.

Arati Devi. Photo courtesy: Edmund Jonah
Arati Devi. Photo courtesy: Edmund Jonah

Arati Devi, a star of the silent film era was actually born Rachael Sofaer. She made three films including Punarianma: A Life Divine and A Man Condemned. She died in childbirth at the age of 35. Her cousin Abraham became a Hollywood actor alongside stars like Charlton Heston, Ava Gardner and Elizabeth Taylor.

Pramila. Photo courtesy: JewishCalcutta.in
Pramila. Photo courtesy: JewishCalcutta.in

Esther Victoria Abraham was voted as Miss India in 1947. But she became more famous as Pramila, the westernized vamp with Anglicized Hindi in films like Bhikaran, Ulti Ganga and Bijli. She married the film star Syed Hassan Ali Zaidi, a Shia Muslim and converted to Islam, yet remained Jewish to the end and her children observed Passover. Their daughter Naqui became Miss India in 1967, the first mother-and-daughter pair to do so. Naqui became Hindu. One son became Wahabi. Another son Haider remained Muslim but married a Tamilian Brahmin and wrote the screenplay for Jodhaa Akbar. When Esther died at 90, her sons, Jewish and Muslim, carried her to the Jewish cemetery while prayers from both scriptures were recited.

Aloo makallah has no ingredients except potatos and oil and salt but it’s a taste of Jewish Calcutta oldtimers remember nostalgically. Flower Silliman says the keepers of the kosher rules in Jewish kitchens were often Muslim cooks. “My cook would tell me its shabbat today. You have not made such and such dish. I was not at all religious but he was,” says Flower Silliman.

The Jonah family turns sahib. Photo Courtesy: Edmund Jonah
The Jonah family turns sahib. Photo Courtesy: Edmund Jonah

Mr Jonah and his sons show how the Baghdadi Jews quickly picked up British customs as they did business in India. “But he still sits like a Middle Easterner with his legs apart. So I think the transition for some of them was not so smooth,” says Jael Silliman.

Magen David Synagogue. Photo Courtesy: Ashok Sinha
Magen David Synagogue. Photo Courtesy: Ashok Sinha

There were three synagogues in Calcutta within walking distance of each other. “We used to roam from one synagogue to another. You told your father I am going to this synagogue this time. Not because you wanted to. But your girlfriend was there. Or you wanted to check out the new girl in town,” says Flower Silliman.

Ketuba or Marriage Contract. Photo Courtesy: JewishCalcutta.in
Ketuba or Marriage Contract. Photo Courtesy: JewishCalcutta.in

The elaborate Ketubas are now collector’s items. Jael Silliman was puzzled to be shown a ketuba from Faizabad which was not known to have Jews. But the project put her in touch with the family who owned that ketuba. Their forefather had gone to Faizabad to recruit railway workers for East Africa for the British in 1914. “It was like pieces of a puzzle which came together very neatly,” says Jael Silliman.

source: http://www.firstpost.com / FirstPost.com / Home> F.India> Latest News> India News / by Sandip Roy / September 13th, 2014

Benoy Konar, CPM leader, dies in Kolkata

Kolkata :

Benoy Konar, a front-ranking CPM leader in West Bengal, died at a city nursing home on Sunday after a prolonged illness, party sources said.

He was 84. Konar, a leading figure in the militant peasants’ movement in the state during 1960s and early 1970s, is survived by his wife, two sons and two daughters.

A former CPM central committee and state secretariat member, Konar was the party’s prominent peasant leader from Burdwan district.

A former party legislator, he was elected to the West Bengal legislative assembly from Memari constituency in Burdwan district three times — in 1969, 1971 and 1977.

Konar was elected as chairman of the five-member CPM central control commission in 2012, an internal vigilance wing of the party.

But he was dropped from the state secretariat, the party’s policy-making body in the same year as he had requested to be relieved of the responsibilities on health ground.

Konar had not been keeping well for the last several months.

He was known for making caustic remarks against the Trinamool Congress and its chief Mamata Banerjee which had drawn flak even from allies during Singur and Nandigram agitations.

Konar had also taken potshots against the then West Bengal Governor, Gopalkrishna Gandhi, after the Nadigram killing in 2007.

Taking exception to Gandhi’s description of the Nandigram outrage as a “cold horror”, Konar had said at a public meeting “Gandhi should come out of Raj Bhavan and carry the Trinamool flag.”

He was the brother of Hare Krishna Konar, a fire brand leader of the CPM, who played a major role in land reforms in West Bengal.

Konar served as the national president of the CPM’s peasants’ front All-India Kisan Sabha for years and was the organisation’s vice-president at the time of his death.

He was also the secretary of the state CPM’s peasant wing Paschimbanga Pradeshik Krishak Sabha.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> India / PTI / September 14th, 2014

Former CPM MP Saifuddin Choudhury dies

Kolkata :

Saifuddin Choudhury former CPM MP died on Sunday at a hospital at Delhi. Choudhury was an eminent parliamentarian who will be remembered for his fiery speeches. He was 62 and was suffering from throat cancer for the last few years.

Saifuddin Choudhury. (Picture courtesy Party for Democratic Socialism, India's official website http://www.pdsindia.org/)
Saifuddin Choudhury. (Picture courtesy Party for Democratic Socialism, India’s official website http://www.pdsindia.org/)

He became an MP from Katwa in Burdwan in 1980. However, there was growing discontent between him and CPM top leadership for which he left the party in 2000 on ideological grounds. He later floated PDS and remained its state head. Saifuddin Choudhury was close to the grass roots and had raised several fundamental questions while Jyoti Basu was the CM in Bengal. He was a student leader but also argued for the farmers and had raised questions how CPM was being drifted away from the farmers.

Choudhury was a logical speaker and had always wanted to form a Left unity forum though he had even delivered speeches from Mamata Banerjee’s platform while Mamata was on her 26-day hunger strike. Choudhury would often criticize CPM leaders for their involvement in unethical practices and he refused to accept them as his party comrade and for which he snapped ties with CPM.

There were proposals to bring him back to CPM, but ultimately that did not happen.

He will be cremated at Memari, his village in Burdwan on Tuesday.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> India / by Debashis Konar, TNN / September 15th, 2014

Home boy returns to script tale of twilight city

Kolkata :

You can check out anytime you like, but you can never leave. For author KunalBasu, Kolkata is twilight zone. A city of Bengalis, you say? Less than 50% if you look at the population, points out the Oxford academician. Basu, whose short story collection ‘The Japanese Wife’ was adapted for the screen by Aparna Sen, is in town, taking a break three weeks after finishing his latest novel. He has turned down six invitations to attend literary festivals across the world, so guarded he is about his newborn. But TOI on Friday caught up with him at his 29th floor apartment and got a birds-eye view of the story.

“This will ruffle feathers,” the author warns. “But if it doesn’t, I’ll consider the novel to be a failure,” he concedes. Basu’s latest is a no-nonsense account of Kolkata seen through the eyes of a migrant gigolo. The plot touches upon the 2011 Bengal election, intellectuals switching sides at the drop of a hat, Kolkata as a terror transit point, rigging and more – but don’t expect the good old Park Street days with a sepia tint, or nostalgia about Tagore, Ray and Ravi Shankar. Instead, be prepared for a stinging study on the “highly educated Bengali intellectual class”.

Like a pucca Kolkatan, Basu loves the city as much as he despises it. “Some authors write books on Kolkata with detachment. I have held nothing back. When people think of Kolkata, they think of a city of Bengalis. But the city has less than 50% Bengali population. While writing, we screen out the majority, in that case. Of that Bengali population, we only consider the ‘intellectuals’. That is a niche. My story is how a Bihari Muslim struggles to survive here and how the two worlds collide,” he narrates.

But how does the 2011 assembly polls and rigging feature in the plot? “That election ushered in the much-touted ‘poriborton’. This transformation deeply affects all citizens, as no Kolkatan can live oblivious to the political environment. It so happens that on the day of the poll verdict, May 13, a cataclysmic event changes the protagonist’s life,” the author says.

He hasn’t demonized anyone in the novel, he clarifies. “Many writers make Indians look like fools. I have the good, bad and ugly in the story but I haven’t denied them their humanity. Most Western writers portray Indian cities based on stereotypes. I’m an insider, a thoroughbred Kolkatan. My grandfather Bhupendra Nath Bose has an avenue named after him. He was the first president of Mohun Bagan club and a vice-chancellor of Calcutta University,” says Basu, who taught at Jadavpur University and IIM-Calcutta.

But why a gigolo as the protagonist, one would ask. “I never dreamed that I’d write about male sex workers. Gigolos look at Kolkata through a different lens. Even those born and brought up in the city go to places unknown to masses. They meet people and see sides and shades of the city not seen by us. The protagonist is a Bihari Muslim, whose family migrated from Bangladesh. The plot follows how he negotiates the currents of contemporary complexities,” he explains. And why not. In Suketu Mehta’s ‘Maximum City’, bar dancers play a pivotal role, while it’s the same with transgenders, or ‘hijras’, in William Dalrymple’s ‘City of Djinns’.

The book will hit the stands later next year, published by Pan Macmillan in India. But many readers would be angry, he predicts. “Like Syed Muztaba Ali and Nirad C Chaudhuri’s works, there are several observations about this breed called ‘highly educated intellectual Bengali’. For example, a Bengali friend advices the protagonist that to be a ‘Kalkattan’, one must presume to know everything and accept gossip as the truth without verification,” he says, tongue firmly in cheek.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Shounak Ghosal, TNN / September 14th, 2014