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Six Bengali shorts make it to Cannes Short Film Corner

Kolkata:

As many as six Bengali films have been shortlisted for the Cannes short film corner that will be held between May 11 and 22. They are among the 40 films from India to have been selected for the same section.

The selected short films are Anirban Guha’s ‘Elixir’, Abhiroop Basu’s ‘Afternoon With Julia’ (‘Cum Iulia Meridiem’), Aniket Chattopadhyay’s ‘Saubala’, Lubdhak Chatterjee’s ‘In A Free State’, Charles Kinnane’s ‘Generation Hope’ and Moumita Mondal’s ‘Adieu’.

Guha’s 35-minute film is about a journey that begins in a cafe. Basu’s film, starring Neha Panda and Samadrashi Dutta, is about a casual conversation between a young couple, while ‘Saubala’ is a fantasy drama that comes with the tagline – Rebirth of Shakuni. Mondal’s 12-minute ‘Adieu’ looks at a hospital ward through the eyes of a young boy admitted there. ‘In a Free State’ deals with the story of an aspiring filmmaker and an artist who paints amputated figures. They embark on a journey to explore the true essence of freedom when their choices are antagonistic to popular social norms.

While all these films are in Bengali, Kinnane’s 34-minute ‘Generation Hope’ has been made in Bengali, Creole and English. It was filmed at Mary’s Meals projects in Malawi, Haiti and India and shows what difference receiving a daily meal in school can make to children growing up in some of the world’s poorest communities.

An Economics masters from Kolkata’s Indian Statistical Institute, Guha works in a multinational bank. “I used to do theatre in school and college. Post that, I also did stage productions in Bangalore and Delhi. Eventually, I wanted to tell my story to more people and wanted to experiment further. That pulled me into filmmaking,” he said. His film stars Daminee Basu, Arindom Ghosh, Mahul Brahma and Dr Koushik Dutta.

Guha will be off to Cannes for the screening. Accompanying him will be wife Sinjini Sengupta, who wrote the story on which ‘Elixir’ is based. “When my husband decided to make a short film based on my story, the first question was finance. Some fixed deposits were dissolved. Good friends had volunteered to do their bit, too. Cast, crew, searches and many calls later, we found ourselves in Kolkata. Mine is basically a story of magic realism and a journey of the soul,” said Sinjini.

Basu claims he made ‘Afternoon With Julia’ keeping Cannes short film corner in mind. Samadarshi, who has already started receiving congratulatory messages, said, “Abhiroop is a young director, but I can say he is someone to watch out for. This film was part of his student project. I have watched some of his earlier works and they have a lot of promise.””After completing my schooling from South Point, I had studied commerce at St Xavier’s College. But I always wanted to make movies. My earlier films had gone to some festivals and won accolades there too. But none of that was in the league of Cannes,” Abhiroop said.

However, he won’t be making it to the French Festival. “For a middle class family, it isn’t easy to go to Cannes without any financial assistance. I am happy that my film is going. May be, some years later, I too will be able to make it to Cannes too,” he said.

But before that happens, Abhiroop will be off to Prague in September to study cinema at the Prague Film School.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kolkata / Priyanka DasGupta / March 31st, 2016

Century Ply expands global footprint

Kolkata:

Century Plyboards, one of the leading plywood manufacturers in India and a growing mid-cap company in the bourses, is expanding its global footprint in an attempt to become an Indian multinational. The city-based plywood maker has set a target of $50 million (Rs 340 crore) turnover from its overseas operations in the next two years. Currently, the company has a turnover of close to Rs 1,600 crore.

Sajjan Bhajanka, chairman of Century Ply, told TOI that it is expecting $35 million turnover from its Singapore subsidiary and another $15 million would come from its Myanmar operations. Century Myanmar is a wholly owned subsidiary of Century Ply while the company has 51% stake in Century Singapore. Bhajanka said that the remaining 49% of Century Singapore is with a company called Viet Dutch, promoted by an NRI. “We shall cater to Laos, Vietnam and Indonesia through this Singapore firm. We are entering all these markets where Ajay Bhagat, an NRI, will be our partner,” he added.

Bhajanka pointed out that Century would initially invest $5 million for entering into these markets. “We shall use these companies to source raw materials for our Indian and global operations. This will help reduce cost,” he added.

According to the Century Ply chairman, the group is also firming up plans to set up a plywood factory in Laos. The investment in the project would be over $12 million. The group already has an overseas facility in Myanmar. “We have a big factory in Myanmar. This is the second highest exporting unit in that country,” he added.

Elaborating on the Indian operations, Bhajanka said it is setting up a medium density fibreboard (MDF) plant in Punjab with an investment of over Rs 400 crore. “This plant will be ready by mid-2017. We are also setting up a particle board unit near Chennai with an investment of Rs 60 crore. It will be ready in the next few months,” he added.

Besides MDF and particle board, Century is entering into new product lines like wood cement and wood plastic. “As far as wood cement is concerned, we shall initially import it from China and Thailand but we will take a call on manufacturing facility by next year,” he added. On BSE, the Century Ply scrip was hovering at Rs 160-165 range for the last few days.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kolkata / by Udit Prasanna Mukherji / March 31st, 2016

Lessons of life on 22 yards – The bat stands for intellect and the ball weaknesses of the mind. Brinda Sarkar tunes in

If cricket is a religion, Sachin Tendulkar is God
If cricket is a religion, Sachin Tendulkar is God

More than Vedanta, cricket is a religion in India. It unites the country and Sachin Tendulkar is god,” began L. Ramaswamy, of the Vedanta Academy, as the audience broke into titters.

Ramaswamy was addressing a gathering at Bharatiya Vidya Bhavan and the audience comprised members of IIT Kharagpur Alumni Association, Salt Lake Chapter. The association was hosting the meet in collaboration with Bharatiya Vidya Bhavan and the topic for discussion was “Vedanta and cricket”.

Life, he said, is a lot like a game of cricket. “Cricket is a batsman-centric game. The batsman wants to score but every ball coming at him tries to get him out. The ball symbolises the weaknesses of the mind. The way the ball can be slow, fast, spin or swing the mind can be overcome by emotions like lust, anger, greed, jealousy etc and they can get us ‘out’,” Ramaswamy explained.

The batsman only has one weapon — the bat — which symbolises a person’s intellect. “The mind is like a river trying to overflow with emotions but if the banks (intellect) are strong the river will reach its destination as well as nourish the land it passes. But if the banks are weak the river will flow off course, flood and destroy wherever it flows.”

The cricket ground is like our life, he explained. For instance, the crease is our spiritual discipline and the fielders are the sense objects trying to get us “out”. This happens if we fall prey to the temptations of our sight, taste, touch etc. The runner is our only friend and this symbolises “satsang” or getting together for spiritual development. It is with the help of the runner that the batsman at first starts scoring singles. It is later, after he is set that he aims for fours and sixes to increase his run rate.

Ramaswamy then picked up every form of dismissal in cricket and found parallels with life —

Cricket01KOLKATA02apr2016

Cricket02KOLKATA02apr2016

source: http://www.telegraphindia.com / The Telegraph,Calcutta,India / Front Page> Salt Lake> Story / by Brinda Sarkar / Friday – April 01st, 2016

Pages from city’s past – Young Metro

The 88-page book with a black-and-white cover may not grab eyeballs, but flipping through it will make one realise what a treasure trove it is.

The first edition of Uttaradhikar, brought out by the Oriental Seminary archive, is not a mere school journal but a compilation of memoirs and tales about the city from a host of writers.

The bilingual publication edited by C.P. Ghoshal, a teacher at the school and in-charge of the archive, took around eight months to put together. “I wanted the contributors to write about Chitpore or their school memories or about the history of Calcutta in the 18th and 19th centuries. A publication by a school that goes back to 1829, should bring out the flavour of the various periods that it has been part of,” he said.

The book, being sold for Rs 50, has write-ups from current and ex-students as well as from historians and researchers. The English essays are by Subha Das Mollick, the founder-member of Bichitra Pathshala, and Mary Ann Dasgupta, an educationist.

Mollick writes about the Our Living Memory project that involved several schools in the city. The project attempted to link family history and collectibles to history textbooks and underline the latter’s relevance in today’s world. Dasgupta takes readers on a tour of St. Paul’s Cathedral and its relics.

Other contributors include historian Soumitra Srimani, researchers Simanti Sen and Rajat Kanti Sur and current student Ayan Ghosh.

There are six write-ups in Bengali – a heady mix of Calcutta in the 19th century, Chitpore’s culture, old boys’ memories and a current student’s journey. The book cover, designed by a former student, is a throwback to Chitpore’s popular woodcut printing.

The book was launched by former student and academician, Ashok Chowdhury, the current principal of the school, Diptiman Kundu, and Srimani at a cultural programme on the school premises.

source: http://www.telegraphindia.com / The Telegraph,Calcutta,India / Front Page> Calcutta> Story / by Chandreyee Ghose / Friday – April 01st, 2016

The call of tabla

Tabla player Rimpa Siva.
Tabla player Rimpa Siva.

Tabla artiste Rimpa Siva on her passion and why she has no role models.

Hyderabad :

At three, when most of her friends were busy playing with dolls, Rimpa Siva was mesmerised with the sounds of tabla that resonated at home. She would sit next to her father pandit Swapan Siva, a respected tabla artiste and guru in Kolkata as he taught his disciples. “Initially, my father thought I would either choose vocals or some other instrument but never imagined I would take to the tabla,” she reminisces. However, her teacher-father saw the lingering passion in the child and began with the basics of tabla. “He realised my ‘shaukh’ for tabla was not casual and felt if he tutored me, I would take it forward.”

With her father’s guidance, Rimpa Siva was hailed as a child prodigy and she gave a stage performance in Kolkata when she was just eight! She soon started giving performances in music festivals and concerts; a high point was her performance in USA when she was in Standard VI. It was followed by performances in Holland and UK.

As a teenager, did she miss out on going out with friends? “I never felt anything like that. Tabla mera sab kuch hai (It is everything in my life,” she states. Her passion and accomplishments earned laurels and a French documentary titled ‘Rimpa Siva Princess of Tabla’ was made in ’98. “The crew came to Kolkata and shot the documentary in 26 days. They showed my school, the environment, the time I spent for practice and training sessions with my father. The documentary showed how I spend my day,” she recalls with a smile.

Speaking about her riyaaz, Rimpa states, “There is no set time. Sometimes, I practice for three hours. When I play tabla, I am lost in it and do not know how much time I have spent. I guess it is the same in any creative field. When you are passionate, it becomes a part of your being,” she points out.

The 30–year–old says the audience is very appreciative of her tabla concerts. “Woman playing tabla is no big deal for the urban crowd,” she says and adds, “Tabla is not easy to learn. “There is no gender issue but playing tabla requires dexterity and concentration. In singing too, one has to sit for long hours and practice; so that is not an issue. Only thing is we play with the fingers and women’s fingers are delicate,” she explains.

Rimpa belongs to the Farukhabad gharana and delights in playing kaida, peshkar and gat. Her inspiration is her father but she has no role models. “One should strive to be unique and not try to be someone else. If you try to be someone else, that will be a copy,” she smiles.

All-woman band
Formed a year ago, Nari Shakti, an all-woman band is another significant feature of her artistic career. “I play the fusion tabla and there are women musicians playing instruments like Pakhawaj and sitar. I wanted to encourage women musicians to come forward. The response has been good. For this year’s Woman’s Day, we did a show for television in Kolkata on March 17,” she states. Among the tabla artistes across the country, Rimpa makes a mark as a woman tabla artiste. What is unique is the fact that she has carved a place for herself among the male tabla players across the country.

Rimpa adds how music has taught her the truth of life. “I have interacted and observed many people. I have realised that our hearts have to be pure with no malice. If you cause pain to others, that pain will come back to you. One should also never lie and hurt others.”

(Rimpa Siva was in Hyderabad recently for a performance at State Art Gallery as part of the National Exhibition of Contemporary Art 2016.)

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by Neeraja Murthy / Hyderabad – March 31st, 2016

Indian-American Named President, CEO of Bank of The West

Photo Credits: Nandita Bakshi via Linkedin
Photo Credits: Nandita Bakshi via Linkedin

Houston :

Indian-American Nandita Bakshi has been appointed the President and Chief Executive Officer of Bank of the West, a unit of French banking giant BNP Paribas.

Bakshi, 57, will replace Michael Shepherd as Bank of the West’s next President and Chief Executive Officer (CEO) and is expected to join the bank as a CEO-in-training on April 1 and will take the helm officially on June 1.

She earned a bachelor’s degree in History at the University of Calcutta and a masters in International Relations and Affairs at Jadavpur University.

A New England News ‘Woman of the Year’ award recipient in 2002, Bakhshi also serves on the board of the Consumer Bankers Association.
“I am excited to join Bank of the West, one of America’s most reputable banks. Bank of the West is well positioned in the US market, and I am thrilled at the prospect of leading an organisation with such a strong focus on customer service,” Bakhshi said in a statement.

“We are pleased to welcome Nandita Bakhshi to Bank of the West. Her extensive experience in product and distribution, coupled with her visionary thinking, relentless customer focus and values-driven philosophy will serve us well in taking Bank of the West to greater heights,” head of international retail banking for BNP Paribas Stefaan Decraene said.

Bank of the West’s parent company BNP Paribas is revamping its US operations to meet new regulations.

“I am very pleased that Nandita Bakhshi is joining Bank of the West. Her energy, innovative ideas and proven record of accomplishments are a great combination with our strong franchise and corporate culture,” Shepherd said.

Bakhshi previously held several leadership roles at TD Bank, the most recent being executive vice president and head of North American direct channels where she was responsible for driving innovation in direct and electronic channels to improve digital adoption and provide customers a unified banking experience.

She also held executive positions at Washington Mutual in Seattle which is now JP Morgan Chase; FleetBoston, which is now Bank of America; First Data Corp, Home Savings of America and Banc One Corp.

source: http://www.newindianexpress.com / The New Indian Express / Home> Business> News / by PTI / March 28th, 2016